{"id":438,"date":"2023-08-30T13:09:48","date_gmt":"2022-08-22T06:59:41","guid":{"rendered":"http:\/\/pavillon-s.com\/this-is-the-end-2\/"},"modified":"2024-12-12T15:01:20","modified_gmt":"2024-12-12T14:01:20","slug":"low-fi-chronicles","status":"publish","type":"post","link":"https:\/\/pavillon-s.com\/en\/low-fi-chronicles\/","title":{"rendered":"WEI 2023 Vincent Dieutre Low-Fi Chronicles"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":441,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"class_list":["post-438","post","type-post","status-publish","has-post-thumbnail","hentry","category-wei-artistes-projects"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 2.5,\r\n 2,\r\n 2\r\n ],\r\n \"frameMargin\": 5,\r\n \"leftFrameMargin\": 2.5,\r\n \"rightFrameMargin\": 5,\r\n \"topFrameMargin\": 180,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {},\r\n {},\r\n {},\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Wei! \/ artistes projets<\/a><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Vincent Dieutre
Low-Fi Chronicles
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Low-Fi Chronicles
Une programmation du Centre des \u00e9critures cin\u00e9matographiques<\/span>
<\/span><\/p>

Un peintre et un r\u00e9alisateur se retrouvent \u00e0 Berlin pour faire le point sur leur ann\u00e9es gays berlinoises\u2026 5000 photos se d\u00e9ploient en un triptyque obs\u00e9dant, \u00e9grenant le quotidien du peintre, le U-bahn, les corps, alors que le cin\u00e9aste, lui, tente de se souvenir du Berlin des rencontres fugaces, de la grande Histoire aussi. En r\u00e9sulte une chronique \u00e0 bas-bruit, la boucle infinie du temps qui passe, \u00e0 Berlin plus qu\u2019ailleurs, un film-fleuve sans d\u00e9but ni fin, qui a \u00e9t\u00e9 savour\u00e9 par bribes ou en continu dans la p\u00e9nombre de la Grange.

Apr\u00e8s un dipl\u00f4me en histoire de l\u2019Art, Vincent Dieutre<\/span> entre \u00e0 l\u2019IDHEC avant de s\u00e9journer \u00e0 Rome et New York (Bourse \u00abhors les murs\u00bb Villa M\u00e9dicis 1989). Il y tourne son premier film Rome D\u00e9sol\u00e9e, en 1994 tout en continuant d\u2019\u00e9crire et enseigner \u00e0 l\u2019universit\u00e9, \u00e0 la Femis et dans des \u00e9coles d\u2019art. Ses films, qui ont remport\u00e9 de nombreux prix, sont des documentaires autobiographiques. Tiss\u00e9 par la musique, la peinture et sa vie personnelle, ils explorent les fronti\u00e8res entre cin\u00e9ma et art contemporain. Son dernier film documentaire, Berlin Based a \u00e9t\u00e9 pr\u00e9sent\u00e9 en avant premi\u00e8re au festival Cin\u00e9ma du R\u00e9el\u2026
Samedi 16 septembre de 14h30 \u00e0 17h30, Grange du parc du Moulin
<\/strong><\/p>

Une installation de<\/span> Christophe Berhault et Vincent Dieutre (2017)
Avec le soutien de la FNAGP (Fondation Nationale des Arts Graphiques et Plastiques)<\/p>



<\/p>




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