{"id":866,"date":"2024-07-22T11:31:21","date_gmt":"2022-08-22T06:59:41","guid":{"rendered":"http:\/\/pavillon-s.com\/solen-athanassopoulos-2\/"},"modified":"2024-11-05T14:48:39","modified_gmt":"2024-11-05T13:48:39","slug":"penelope","status":"publish","type":"post","link":"http:\/\/pavillon-s.com\/en\/penelope\/","title":{"rendered":"WEI 2024 Penelope Lisbeth Gruwez"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":868,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"class_list":["post-866","post","type-post","status-publish","has-post-thumbnail","hentry","category-wei-artistes-projects"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 2.5,\r\n 2,\r\n 2,\r\n 2\r\n ],\r\n \"frameMargin\": 5,\r\n \"leftFrameMargin\": 2.5,\r\n \"rightFrameMargin\": 5,\r\n \"topFrameMargin\": 180,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {},\r\n {},\r\n {},\r\n {},\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Wei! \/ artistes projets<\/a><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Lisbeth Gruwez
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\u00a9 Emmanuelle Vo-Dinh<\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 1065,\r\n \"cont\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1-1920x1078.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1-1280x719.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1-1024x575.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1-768x431.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1-512x288.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1-265x149.jpg\"\r\n },\r\n \"w\": 2126,\r\n \"h\": 1194,\r\n \"ar\": 0.561618062088429,\r\n \"alt\": \"\",\r\n \"caption\": \"

\u00a9 Lisa Sahores<\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 1064,\r\n \"cont\": \"\/wp-content\/uploads\/2024\/07\/penelope-\u00a9EmmanuelleVo-Dinh_IMG_6820.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/07\/penelope-\u00a9EmmanuelleVo-Dinh_IMG_6820.jpg\"\r\n },\r\n \"w\": 4032,\r\n \"h\": 3024,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"caption\": \"

\u00a9 Emmanuelle Vo-Dinh<\/p>\"\r\n }\r\n ],\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Penelope
<\/span><\/p>

Lisbeth Gruwez incarne, dans ce solo, la somme de toutes les femmes rest\u00e9es dans l\u2019ombre de la guerre de Troie : H\u00e9l\u00e8ne, les nymphes, les sir\u00e8nes, Calipso, Circ\u00e9, et bien s\u00fbr P\u00e9n\u00e9lope. Seule au centre du plateau, stimul\u00e9e par la partition r\u00e9p\u00e9titive, hypnotique et envo\u00fbtante de Maarten Van Cauwenberghe, v\u00eatue d\u2019une longue robe noire ondoyante, et prenant appui sur son pied droit, la danseuse tournoie, virevolte telle une toupie vivante, exprimant ainsi l\u2019attente, le d\u00e9sir, le manque, l\u2019impuissance, toute la souffrance de la condition f\u00e9minine confront\u00e9e \u00e0 ce fl\u00e9au qui lui \u00e9chappe.<\/p>

Vendredi 20 septembre \u00e0 19h30, esplanade du Moulin
Samedi 21 septembre \u00e0 19h30, esplanade du Moulin
Dimanche 22 septembre \u00e0 19h30, esplanade du Moulin
<\/strong><\/p>

chor\u00e9graphie et interpr\u00e9tation<\/span> Lisbeth Gruwez
composition<\/span> Maarten Van Cauwenberghe
cr\u00e9ation lumi\u00e8re<\/span> Jan Maertens<\/span>
costume<\/span> Myriam Van Gucht
production<\/span> KVS - Th\u00e9\u00e2tre Royal Flamand & Voetvolk vzw
avec le soutien<\/span> de NONA, la Communaut\u00e9 Flamande & la Commission Communautaire Flamande<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Voetvolk<\/span> est un groupe de danse contemporaine et de performance, fond\u00e9 en 2007 par la danseuse\/chor\u00e9graphe Lisbeth Gruwez<\/span> et le compositeur\/musicien Maarten Van Cauwenberghe<\/span>, qui se sont connus dans le laboratoire de Jan Fabre. Le duo a d\u00e9j\u00e0 r\u00e9alis\u00e9 dix spectacles, dont It\u2019s going to get worse and worse and worse, my friend<\/em> (2012), AH\/HA (2014), We\u2019re pretty fuckin\u2019 far from okay<\/em> (2016), Lisbeth Gruwez dances Bob Dylan<\/em> et The Sea Within<\/em> (2018), Piano Works Debussy<\/em> (2020), Into the Open<\/em> (2022), et Nomadics<\/em> (2023), et la cr\u00e9ation la plus r\u00e9cente est WASCO!<\/em>, son tout premier spectacle cr\u00e9\u00e9 avec des enfants, tout public.
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Wei! \/ artistes projets<\/a><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Lisbeth Gruwez
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\u00a9 Emmanuelle Vo-Dinh<\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 1065,\r\n \"cont\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1.jpg\",\r\n \"_1920\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1-1920x1078.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1-1280x719.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1-1024x575.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1-768x431.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1-512x288.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2024\/07\/Penelope-sam.-21-\u00a9LisaSahores-1-265x149.jpg\"\r\n },\r\n \"w\": 2126,\r\n \"h\": 1194,\r\n \"ar\": 0.561618062088429,\r\n \"alt\": \"\",\r\n \"caption\": \"

\u00a9 Lisa Sahores<\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 1064,\r\n \"cont\": \"\/wp-content\/uploads\/2024\/07\/penelope-\u00a9EmmanuelleVo-Dinh_IMG_6820.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/07\/penelope-\u00a9EmmanuelleVo-Dinh_IMG_6820.jpg\"\r\n },\r\n \"w\": 4032,\r\n \"h\": 3024,\r\n \"ar\": 0.75,\r\n \"alt\": \"\",\r\n \"caption\": \"

\u00a9 Emmanuelle Vo-Dinh<\/p>\"\r\n }\r\n ],\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Penelope
<\/span><\/p>

Lisbeth Gruwez incarne, dans ce solo, la somme de toutes les femmes rest\u00e9es dans l\u2019ombre de la guerre de Troie : H\u00e9l\u00e8ne, les nymphes, les sir\u00e8nes, Calipso, Circ\u00e9, et bien s\u00fbr P\u00e9n\u00e9lope. Seule au centre du plateau, stimul\u00e9e par la partition r\u00e9p\u00e9titive, hypnotique et envo\u00fbtante de Maarten Van Cauwenberghe, v\u00eatue d\u2019une longue robe noire ondoyante, et prenant appui sur son pied droit, la danseuse tournoie, virevolte telle une toupie vivante, exprimant ainsi l\u2019attente, le d\u00e9sir, le manque, l\u2019impuissance, toute la souffrance de la condition f\u00e9minine confront\u00e9e \u00e0 ce fl\u00e9au qui lui \u00e9chappe.<\/p>

Vendredi 20 septembre \u00e0 19h30, esplanade du Moulin
Samedi 21 septembre \u00e0 19h30, esplanade du Moulin
Dimanche 22 septembre \u00e0 19h30, esplanade du Moulin
<\/strong><\/p>

chor\u00e9graphie et interpr\u00e9tation<\/span> Lisbeth Gruwez
composition<\/span> Maarten Van Cauwenberghe
cr\u00e9ation lumi\u00e8re<\/span> Jan Maertens<\/span>
costume<\/span> Myriam Van Gucht
production<\/span> KVS - Th\u00e9\u00e2tre Royal Flamand & Voetvolk vzw
avec le soutien<\/span> de NONA, la Communaut\u00e9 Flamande & la Commission Communautaire Flamande<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Voetvolk<\/span> est un groupe de danse contemporaine et de performance, fond\u00e9 en 2007 par la danseuse\/chor\u00e9graphe Lisbeth Gruwez<\/span> et le compositeur\/musicien Maarten Van Cauwenberghe<\/span>, qui se sont connus dans le laboratoire de Jan Fabre. Le duo a d\u00e9j\u00e0 r\u00e9alis\u00e9 dix spectacles, dont It\u2019s going to get worse and worse and worse, my friend<\/em> (2012), AH\/HA (2014), We\u2019re pretty fuckin\u2019 far from okay<\/em> (2016), Lisbeth Gruwez dances Bob Dylan<\/em> et The Sea Within<\/em> (2018), Piano Works Debussy<\/em> (2020), Into the Open<\/em> (2022), et Nomadics<\/em> (2023), et la cr\u00e9ation la plus r\u00e9cente est WASCO!<\/em>, son tout premier spectacle cr\u00e9\u00e9 avec des enfants, tout public.
L\u2019\u0153uvre de Voetvolk est d\u00e9termin\u00e9e dans une large mesure par l\u2019improvisation, les \u00e9l\u00e9ments de repr\u00e9sentation, une imagination visuelle d\u00e9taill\u00e9e, ainsi que par une conversation continue entre les mouvements corporels et auditifs : Lisbeth Gruwez et Maarten Van Cauwenberghe se dirigent mutuellement afin de r\u00e9aliser une symbiose entre l'auditif et le visuel\/physique. Au cours des derni\u00e8res ann\u00e9es, Voetvolk s'est consacr\u00e9 \u00e0 la recherche de nouvelles fa\u00e7ons de s'engager aupr\u00e8s de (nouveaux) publics. Avec Lisbeth Gruwez dances Bob Dylan<\/em> et Into the Open<\/em>, Voetvolk a mis les passionn\u00e9s de musique en contact avec la danse contemporaine. Avant certaines repr\u00e9sentations, Nomadics<\/em> invite le public \u00e0 faire de longues marches aux c\u00f4t\u00e9s de l'\u00e9quipe artistique et de l'\u00e9quipe de danse, afin d'\u00e9tablir un autre type de lien avec le public. Leurs spectacles ont d\u00e9j\u00e0 parcouru la moiti\u00e9 du monde, et ont \u00e9t\u00e9 pr\u00e9sent\u00e9s \u00e0 diff\u00e9rents festivals, tels que, notamment, le festival d\u2019Avigon, Julidans, Tanz im August, Dance Umbrella, la Biennale de Venise et le TheaterFestiaval.
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