{"id":485,"date":"2023-09-01T19:04:32","date_gmt":"2022-08-22T06:59:41","guid":{"rendered":"http:\/\/pavillon-s.com\/visites-moulin-4\/"},"modified":"2024-12-12T15:07:51","modified_gmt":"2024-12-12T14:07:51","slug":"marie-laure-lapeyrere","status":"publish","type":"post","link":"http:\/\/pavillon-s.com\/en\/marie-laure-lapeyrere\/","title":{"rendered":"WEI 2023 Marie-Laure Lapeyr\u00e8re"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":435,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"class_list":["post-485","post","type-post","status-publish","has-post-thumbnail","hentry","category-wei-artistes-projects"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    2.5,\r\n    2,\r\n    2\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"leftFrameMargin\": 2.5,\r\n  \"rightFrameMargin\": 5,\r\n  \"topFrameMargin\": 180,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {},\r\n    {},\r\n    {},\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"bgImage\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_menu_home\\\"><a href=\\\"http:\/\/pavillon-s.com\/wei-artistes-projets-2023\/\\\" data-type=\\\"page\\\" data-id=\\\"120\\\" data-title=\\\"wei artistes projects\\\">Wei! \/ artistes projets<\/a><\/h1>\",\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 9\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_Titre_spectacle\\\"><span>Choix d'oeuvres de Marie-Laure Lapeyr\u00e8re, issues de la collection du Fruit int\u00e9gral<br \/><\/span><\/h1>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2023\/09\/Capture-decran-2023-09-01-a-19.17.11.png\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 127,\r\n      \"attid\": 488,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2023\/09\/Capture-decran-2023-09-01-a-19.17.11.png\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2023\/09\/Capture-decran-2023-09-01-a-19.17.11-1024x678.png\",\r\n        \"_768\": \"\/wp-content\/uploads\/2023\/09\/Capture-decran-2023-09-01-a-19.17.11-768x509.png\",\r\n        \"_512\": \"\/wp-content\/uploads\/2023\/09\/Capture-decran-2023-09-01-a-19.17.11-512x339.png\",\r\n        \"_265\": \"\/wp-content\/uploads\/2023\/09\/Capture-decran-2023-09-01-a-19.17.11-265x175.png\"\r\n      },\r\n      \"w\": 1202,\r\n      \"h\": 796,\r\n      \"ar\": 0.6622296173044925,\r\n      \"alt\": \"\",\r\n      \"caption\": \"<p class=\\\"_texte_page\\\">\u00a9 DR<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_texte_page\\\"><span style=\\\"color: #1500f6;\\\">Choix d'oeuvres de Marie-Laure Lapeyr\u00e8re, issues de la collection du Fruit int\u00e9gral<\/span><br \/><strong>Samedi 16 septembre 14h-18h<br \/><\/strong><strong>Dimanche 17 septembre 11h-18h<br \/><\/strong>Salon de caf\u00e9, salle \u00e0 manger et salle de la Meule du Moulin<strong><br \/><\/strong><\/p><p class=\\\"_texte_page\\\">Pour cette seconde \u00e9dition du Wei ! Week-end int\u00e9gral, une s\u00e9lection d\u2019\u0153uvres issue de la collection riche et singuli\u00e8re du Fruit Int\u00e9gral s'est d\u00e9ploy\u00e9e dans les espaces non moins singuliers du Moulin d\u2019And\u00e9, monument du XIIe si\u00e8cle qui accueillit nombre d\u2019\u00e9crivains et de cin\u00e9astes.<br \/>Les \u0153uvres pr\u00e9sent\u00e9es, qui toutes \u00e0 leur mani\u00e8re traduisent un \u00e9tat d\u2019humanit\u00e9, constituent surtout une forme de r\u00e9sistance par la conscience. Inscrites dans l\u2019environnement empli d\u2019objets, d\u2019images et de curiosit\u00e9s de ce lieu charg\u00e9 de souvenirs, elles ouvrent des \u00e9carts, produisent de l\u2019<em>entre<\/em><span>\u00a0<\/span>; et viennent mettre en tension des espaces a priori s\u00e9par\u00e9s, a priori \u00e9trangers. L\u2019accrochage provoque un d\u00e9rangement \u00e0 vocation exploratrice interrogeant le myst\u00e8re, l\u2019\u00e9nigme, l\u2019indicible mais aussi le possible, le surprenant, l\u2019inattendu, et pourquoi pas, l\u2019inconcevable.<br \/><br \/><strong>Avec les <\/strong><strong>\u0153uvres<\/strong> <strong>de<\/strong> Mo\u00efse Attilio, Mieszko Bavencoffe, Rafael Carneiro, Cl\u00e9ment Cogitore, Claire Fontaine Estrid Lutz &amp; Emile Mold, Gauvain Manhattan, Vincent Mauger, Damir O\u010dko, Laurent Pariente, G\u00e9raud Soulhiol, Maurice Slotine, No\u00e9e Slotine, David Supper Magnou, Oxana Taran, Morgane Tschiember, \u00c9lodie Wysocki, Romano Zanotti<br \/><br \/><span>Historienne de l\u2019art et commissaire d\u2019exposition, <span style=\\\"color: #1500f6;\\\">Marie-Laure Lapeyr\u00e8re<\/span> est dipl\u00f4m\u00e9e de l\u2019Ecole du Louvre. Elle est \u00e9galement titulaire d\u2019une ma\u00eetrise d\u2019histoire de l\u2019art d\u00e9di\u00e9e \u00e0 la photographie contemporaine. Parmi ses projets r\u00e9cents, elle a \u00e9t\u00e9 commissaire de l\u2019exposition <\/span><i>MAIS OU EST L\u2019INFRASTRUCTURE ?<\/i><span> (2020) de Nicholas Vargelis aux Laboratoires d\u2019Aubervilliers. Elle a co-organis\u00e9 les projets VIDEO TALK (Mains d\u2019\u0152uvres, Saint-Ouen, 2018 - 2019), <\/span><i>Marina Baie des Anges<\/i><span> (quai de l\u2019Oise, Paris, 2018), et a activ\u00e9 le projet d\u2019artoth\u00e8que du Cneai (2020) au sein des Laboratoires d\u2019Aubervilliers. En 2020, elle cr\u00e9e avec l\u2019artiste Morgan Courtois JOY (rue Henri Barbusse \u00e0 Aubervilliers), projet d\u2019expositions dans l\u2019espace urbain en r\u00e9ponse \u00e0 la fermeture des lieux de culture. Elle est l\u2019auteure de textes critiques, dont un essai sur le travail de l\u2019artiste S\u00e9bastien R\u00e9my, <\/span><i>Quand la parole d\u00e9clare l\u2019espace. Sur quelques \u0153uvres de S\u00e9bastien R\u00e9my<\/i><span>.\u00a0 Ses recherches portent principalement sur les modes de circulation des images, l\u2019\u00e9volution des modalit\u00e9s et des formats de l\u2019exposition ainsi que les relations des artistes \u00e0 l\u2019espace public. Apr\u00e8s plusieurs ann\u00e9es d\u2019exp\u00e9rience en galeries sp\u00e9cialis\u00e9es en art contemporain et en photographie, Marie-Laure Lapeyr\u00e8re a \u00e9t\u00e9 responsable de la communication aux Laboratoires d\u2019Aubervilliers de 2015 \u00e0 2021.<br \/>Elle dirige aujourd'hui La Maison des Arts de Grand-Quevilly.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts\/485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/comments?post=485"}],"version-history":[{"count":0,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts\/485\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/media\/435"}],"wp:attachment":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/media?parent=485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/categories?post=485"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/tags?post=485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}