{"id":453,"date":"2023-09-01T17:17:49","date_gmt":"2022-08-22T06:59:41","guid":{"rendered":"http:\/\/pavillon-s.com\/emmanuel_eggermont-3\/"},"modified":"2024-12-12T15:00:10","modified_gmt":"2024-12-12T14:00:10","slug":"plan-b","status":"publish","type":"post","link":"http:\/\/pavillon-s.com\/en\/plan-b\/","title":{"rendered":"WEI 2023 Charlotte Rousseau Plan B"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":578,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"class_list":["post-453","post","type-post","status-publish","has-post-thumbnail","hentry","category-wei-artistes-projects"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 2.5,\r\n 2,\r\n 2\r\n ],\r\n \"frameMargin\": 5,\r\n \"leftFrameMargin\": 2.5,\r\n \"rightFrameMargin\": 5,\r\n \"topFrameMargin\": 180,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {},\r\n {},\r\n {},\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Wei! \/ artistes projets<\/a><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Charlotte Rousseau
Plan B
<\/span><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"carousel\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 411,\r\n \"carousel_options\": {\r\n \"random\": false,\r\n \"autoplay\": true,\r\n \"showMultipleSlides\": false,\r\n \"freeScroll\": false,\r\n \"mousewheelScroll\": false,\r\n \"size\": \"aspectRatioOfFirstElement\",\r\n \"slidesWidth\": \"null\",\r\n \"transition\": \"sliding\",\r\n \"loop\": \"1\",\r\n \"spaceBetween\": 0,\r\n \"captionsUnderSlides\": false,\r\n \"disableClick\": false\r\n },\r\n \"carousel\": [\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 578,\r\n \"cont\": \"\/wp-content\/uploads\/2023\/08\/EVD_WEI_PlanB-81.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/08\/EVD_WEI_PlanB-81.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/08\/EVD_WEI_PlanB-81-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/08\/EVD_WEI_PlanB-81-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/08\/EVD_WEI_PlanB-81-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/08\/EVD_WEI_PlanB-81-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/08\/EVD_WEI_PlanB-81-265x199.jpg\"\r\n },\r\n \"w\": 1417,\r\n \"h\": 1063,\r\n \"ar\": 0.7501764290755116,\r\n \"alt\": \"\",\r\n \"caption\": \"

\u00a9 Emmanuelle Vo-Dinh<\/span><\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 581,\r\n \"cont\": \"\/wp-content\/uploads\/2023\/09\/EVD_WEI_PlanB-78.jpg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/09\/EVD_WEI_PlanB-78.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2023\/09\/EVD_WEI_PlanB-78-1280x960.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2023\/09\/EVD_WEI_PlanB-78-1024x768.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/09\/EVD_WEI_PlanB-78-768x576.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/09\/EVD_WEI_PlanB-78-512x384.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/09\/EVD_WEI_PlanB-78-265x199.jpg\"\r\n },\r\n \"w\": 1417,\r\n \"h\": 1063,\r\n \"ar\": 0.7501764290755116,\r\n \"alt\": \"\",\r\n \"caption\": \"

\u00a9 Emmanuelle Vo-Dinh<\/span><\/p>\"\r\n }\r\n ]\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Plan B (forme courte)
<\/span><\/p>

\u00c0 mi-chemin entre\u00a0spectacle et performance, Plan B s\u2019int\u00e9resse au choc entre la\u00a0th\u00e9orie et la pratique, aux envies qu\u2019il\u00a0faut abandonner, et \u00e0 la transformation\u00a0des id\u00e9es au cours de la fabrication\u00a0d\u2019une forme th\u00e9\u00e2trale. C\u2019est aussi une\u00a0pi\u00e8ce chor\u00e9graphique sur la solitude de l\u2019artiste et sa fragilit\u00e9\u00a0face aux regards des\u00a0autres. C\u2019est une pi\u00e8ce grave mais\u00a0dr\u00f4le, sur le besoin de cr\u00e9er ; une fantaisie<\/em> autobiographique, dans\u00a0laquelle l\u2019interpr\u00e8te se met en sc\u00e8ne non\u00a0sans ironie et autod\u00e9rision, pour mieux se\u00a0d\u00e9voiler et se raconter.
<\/span>
Samedi 16 septembre \u00e0 16h15, La poterie (parc du Moulin)<\/strong><\/p>

Un solo autobiographique de <\/span>Charlotte Rousseau
<\/strong>Assistante <\/span>\u00c9l\u00e9onore Guipouy
Production<\/span> La Presque Compagnie
Dur\u00e9e<\/span> 17 minutes

<\/p>

Artiste r\u00e9solument pluridisciplinaire, vid\u00e9o-artiste, chor\u00e9graphe, musicienne et danseuse performeuse, Charlotte Rousseau<\/span> revendique ses pratiques multiples qu\u2019elle fait dialoguer pour produire des images (fixes ou en mouvements) et objets sc\u00e9niques originaux. \u00a0
<\/span>La Presque Compagnie lui permet d\u2019explorer et de questionner \u00e0 travers une \u00e9criture r\u00e9solument contemporaine, les rapports entre corps et image, et le conflit qu\u2019entretient le r\u00e9el avec sa construction et sa repr\u00e9sentation. Elle cr\u00e9\u00e9e\u00a0 Plan B<\/em>, Oubli Total<\/em>, Activit\u00e9 R\u00e9mun\u00e9r\u00e9e<\/em>, JUSQU'AU SOIR<\/em> et diff\u00e9rents projets in-situ et performances : La Parade<\/em>, HOPE<\/em>, les Free slow<\/em>...
<\/span>Parall\u00e8lement \u00e0 son travail avec la Presque Compagnie, elle est chef monteuse documentaire pour la t\u00e9l\u00e9vision et r\u00e9alise des cr\u00e9ations vid\u00e9os pour des spectacles contemporains et des 0p\u00e9ras. Elle travaille entre autres avec Thomas Lebrun pour qui elle cr\u00e9\u00e9e les vid\u00e9os des spectacles Qu\u00e9 T\u00e0l<\/em>, Feue<\/em>, Itin\u00e9raire d'un danseur Grassouillet<\/em>, Six Order Pieces<\/em> et Les F\u00eates d\u2019H\u00e9b\u00e9<\/em> \u00e0 l\u2019Op\u00e9ra Bastille...
<\/span>Elle d\u00e9veloppe aussi Les vies possibles<\/a><\/span><\/strong>, un projet-concept qui catalyse son travail musical et vid\u00e9o, et avec lequel elle d\u00e9veloppe sur musique \u00e9lectro des projections audio-visuelles exp\u00e9rimentales; travaillant sur le temps et sa perception, interrogeant inlassablement le sens des images..<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6\r\n }\r\n ]\r\n}","phonegrid":"","_links":{"self":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts\/453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/comments?post=453"}],"version-history":[{"count":0,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts\/453\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/media\/578"}],"wp:attachment":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/media?parent=453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/categories?post=453"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/tags?post=453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}