{"id":448,"date":"2023-08-30T13:39:06","date_gmt":"2022-08-22T06:59:41","guid":{"rendered":"http:\/\/pavillon-s.com\/emmanuel_eggermont-2\/"},"modified":"2024-12-12T14:57:49","modified_gmt":"2024-12-12T13:57:49","slug":"ivana-muller-2","status":"publish","type":"post","link":"http:\/\/pavillon-s.com\/en\/ivana-muller-2\/","title":{"rendered":"WEI 2023 Ivana M\u00fcller We are still watching"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":451,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"class_list":["post-448","post","type-post","status-publish","has-post-thumbnail","hentry","category-wei-artistes-projects"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 2.5,\r\n 2,\r\n 2\r\n ],\r\n \"frameMargin\": 5,\r\n \"leftFrameMargin\": 2.5,\r\n \"rightFrameMargin\": 5,\r\n \"topFrameMargin\": 180,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {},\r\n {},\r\n {},\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Wei! \/ artistes projets<\/a><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Ivana M\u00fcller
<\/span><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"carousel\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 411,\r\n \"carousel_options\": {\r\n \"random\": false,\r\n \"autoplay\": true,\r\n \"showMultipleSlides\": false,\r\n \"freeScroll\": false,\r\n \"mousewheelScroll\": false,\r\n \"size\": \"aspectRatioOfFirstElement\",\r\n \"slidesWidth\": \"null\",\r\n \"transition\": \"sliding\",\r\n \"loop\": \"1\",\r\n \"spaceBetween\": 0,\r\n \"captionsUnderSlides\": false,\r\n \"disableClick\": false\r\n },\r\n \"carousel\": [\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 450,\r\n \"cont\": \"\/wp-content\/uploads\/2023\/08\/Ivana_Muller_WeAreStillWatching_1_copyright_photo_Ian_Douglas-basse_def.jpeg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/08\/Ivana_Muller_WeAreStillWatching_1_copyright_photo_Ian_Douglas-basse_def.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/08\/Ivana_Muller_WeAreStillWatching_1_copyright_photo_Ian_Douglas-basse_def-768x511.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/08\/Ivana_Muller_WeAreStillWatching_1_copyright_photo_Ian_Douglas-basse_def-512x340.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/08\/Ivana_Muller_WeAreStillWatching_1_copyright_photo_Ian_Douglas-basse_def-265x176.jpeg\"\r\n },\r\n \"w\": 800,\r\n \"h\": 532,\r\n \"ar\": 0.665,\r\n \"alt\": \"\",\r\n \"caption\": \"

\u00a9 Ian Douglas<\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 451,\r\n \"cont\": \"\/wp-content\/uploads\/2023\/08\/Ivana_Muller_WeAreStillWatching_4_copyright_photo_Ian_Douglas-basse_def.jpeg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/08\/Ivana_Muller_WeAreStillWatching_4_copyright_photo_Ian_Douglas-basse_def.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/08\/Ivana_Muller_WeAreStillWatching_4_copyright_photo_Ian_Douglas-basse_def-768x548.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/08\/Ivana_Muller_WeAreStillWatching_4_copyright_photo_Ian_Douglas-basse_def-512x365.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/08\/Ivana_Muller_WeAreStillWatching_4_copyright_photo_Ian_Douglas-basse_def-265x189.jpeg\"\r\n },\r\n \"w\": 800,\r\n \"h\": 571,\r\n \"ar\": 0.71375,\r\n \"alt\": \"\",\r\n \"caption\": \"

\u00a9 Ian Douglas<\/p>\"\r\n }\r\n ],\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

We Are Still Watching
<\/span><\/p>

We Are Still Watching <\/em>ressemble \u00e0 une r\u00e9p\u00e9tition au cours de laquelle les spectateurs se rencontrent autour d\u2019un texte qu\u2019ils d\u00e9couvrent et lisent ensemble. Pendant une heure, les spectateurs cr\u00e9ent et \u2018performent\u2019 une communaut\u00e9, prennent des d\u00e9cisions individuelles et\/ou collectives en lisant \u2018simplement\u2019 ce texte \u00e9crit pour eux, par quelqu\u2019un d\u2019autre. Dans cette mini-soci\u00e9t\u00e9<\/em> cr\u00e9\u00e9e chaque soir, chacun adopte lentement son propre r\u00f4le\u2026 Tous parlent \u00e0 la premi\u00e8re personne, tous lisent mal, et tous s\u2019impliquent d\u2019une mani\u00e8re ou d\u2019une autre m\u00eame si personne n\u2019a lu le texte avant cette soir\u00e9e et m\u00eame si personne ne sait ce qui arrivera ensuite.

Samedi 16 septembre \u00e0 15h, Th\u00e9\u00e2tre du Moulin
Dimanche 17 septembre \u00e0 15h30, Th\u00e9\u00e2tre du Moulin
<\/strong><\/p>

Conception et texte<\/span>\u00a0Ivana M\u00fcller, en collaboration avec Andrea Bozic, David Weber-Krebs\u00a0et Jonas Rutgeerts
Traduction et adaptation<\/span> Gilles Amalvi, Ivana M\u00fcller
Administration et production<\/span> I\u2019M COMPANY \/ ORLA (Capucine Goin et Fran\u00e7ois Maurisse)\u00a0
Dur\u00e9e 60 minutes environ

<\/strong>Production et diffusion<\/span> Kumquat I Performing Arts (Laurence Larcher et Gerco de Vroeg)\u00a0
Dans le cadre du projet Encounters (Amsterdam, 2012) avec le soutien de Performing Arts Fund NL, Amsterdam Fund for the Arts et SNS Reaal Fonds.
Avec le soutien de<\/span> apap\u00a0\u2013 performing Europe 2020, Europe Cr\u00e9ative\u00a0\u2013 Programme de l\u2019Union europ\u00e9enne, la DRAC \u00cele-de-France et la R\u00e9gion \u00cele-de-France.
Remerciements<\/span> Het Veem Theatre (Amsterdam)

\u00c0 travers son travail chor\u00e9graphique et th\u00e9\u00e2tral (performances, installations, textes, vid\u00e9oconf\u00e9rences, audios, visites guid\u00e9es et travaux Web), Ivana M\u00fcller<\/span> repense la politique du spectacle et du spectaculaire, revisite le lieu de l'imaginaire et de l'imagination, questionne la notion de \\\"participation\\\", explore la notion de valeur et sa repr\u00e9sentation et continue de s\u2019inspirer des relations entre performeur et spectateur. Depuis 2002, elle a cr\u00e9\u00e9 une quinzaine de pi\u00e8ces de th\u00e9\u00e2tre et de danse qui ont \u00e9t\u00e9 jou\u00e9es en Europe, aux Etats-Unis et en Asie. En 2007, elle re\u00e7oit le prix Charlotte Koehler pour la totalit\u00e9 de son oeuvre, ainsi que le prix Impulse Festival et Goethe Institute pour sa pi\u00e8ce While We Were Holding It Together. Son travail exp\u00e9rimental, radical et formellement innovant exprime l\u2019id\u00e9e du mouvement et du corps, se trouvant au coeur de ses pr\u00e9occupations artistiques. Le th\u00e9\u00e2tre reste son lieu principal de pratique et de cr\u00e9ation. Pourtant le travail d\u2019Ivana Mu\u0308ller a \u00e9t\u00e9 souvent pr\u00e9sent\u00e9 dans le contexte de l\u2019art contemporain, entre autres \u00e0 la Biennale de Venise 2015, le Garage Museum Of Contemporary Art (Moscou), Hayward Gallery \/ Southbank Center.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6\r\n }\r\n ]\r\n}","phonegrid":"","_links":{"self":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts\/448","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/comments?post=448"}],"version-history":[{"count":0,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts\/448\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/media\/451"}],"wp:attachment":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/media?parent=448"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/categories?post=448"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/tags?post=448"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}