{"id":301,"date":"2023-05-08T19:15:12","date_gmt":"2022-07-16T20:14:41","guid":{"rendered":"http:\/\/pavillon-s.com\/routines-2\/"},"modified":"2026-01-23T16:16:31","modified_gmt":"2026-01-23T15:16:31","slug":"collection_arcanes","status":"publish","type":"post","link":"http:\/\/pavillon-s.com\/en\/collection_arcanes\/","title":{"rendered":"Collection ARCANES"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":304,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"class_list":["post-301","post","type-post","status-publish","has-post-thumbnail","hentry","category-spectacles"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n 2.5,\r\n 1,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2\r\n ],\r\n \"frameMargin\": 5,\r\n \"leftFrameMargin\": 2.5,\r\n \"rightFrameMargin\": 5,\r\n \"topFrameMargin\": 180,\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {\r\n \"relid\": 1\r\n },\r\n {\r\n \"relid\": 2\r\n },\r\n {\r\n \"relid\": 3\r\n },\r\n {\r\n \"relid\": 16\r\n },\r\n {\r\n \"relid\": 17\r\n },\r\n {\r\n \"relid\": 18\r\n },\r\n {\r\n \"relid\": 19\r\n },\r\n {\r\n \"relid\": 20\r\n },\r\n {\r\n \"relid\": 21\r\n },\r\n {\r\n \"relid\": 22\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"bgImage\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Creations, r\u00e9sidencies...<\/a><\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ARCANES, short films collection<\/h1>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Creations 2023, ...<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 9,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"carousel\",\r\n \"cont\": \"\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 182,\r\n \"carousel_options\": {\r\n \"random\": false,\r\n \"autoplay\": true,\r\n \"showMultipleSlides\": false,\r\n \"freeScroll\": false,\r\n \"mousewheelScroll\": false,\r\n \"size\": \"aspectRatioOfFirstElement\",\r\n \"slidesWidth\": \"null\",\r\n \"transition\": \"sliding\",\r\n \"loop\": \"1\",\r\n \"spaceBetween\": 0,\r\n \"captionsUnderSlides\": false,\r\n \"disableClick\": false\r\n },\r\n \"carousel\": [\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 697,\r\n \"cont\": \"\/wp-content\/uploads\/2023\/05\/L1021138-basse_def.jpeg\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/05\/L1021138-basse_def.jpeg\",\r\n \"_768\": \"\/wp-content\/uploads\/2023\/05\/L1021138-basse_def-768x768.jpeg\",\r\n \"_512\": \"\/wp-content\/uploads\/2023\/05\/L1021138-basse_def-512x512.jpeg\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/05\/L1021138-basse_def-265x265.jpeg\"\r\n },\r\n \"w\": 800,\r\n \"h\": 800,\r\n \"ar\": 1,\r\n \"alt\": \"\",\r\n \"caption\": \"

\u00a9 Laure Delamotte-Legrand<\/p>\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"attid\": 698,\r\n \"cont\": \"\/wp-content\/uploads\/2023\/05\/everso-captur.png\",\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2023\/05\/everso-captur.png\",\r\n \"_265\": \"\/wp-content\/uploads\/2023\/05\/everso-captur-265x254.png\"\r\n },\r\n \"w\": 502,\r\n \"h\": 481,\r\n \"ar\": 0.9581673306772909,\r\n \"alt\": \"\",\r\n \"caption\": \"

\u00a9 Laure Delamotte-Legrand<\/p>\"\r\n }\r\n ],\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

For the past six years, I have been interested in different aspects of cinema to nourish and build my choreographic work.<\/p>

For example, the piece Cocagne<\/a><\/span>, created in 2018, draws its material from a film montage I made from various films, mixing fiction, documentaries, images found on the internet, etc., which deal with the question of representation in its polysemic dimension.<\/p>

Working more specifically on Eisenstein's cinema (Battleship Potemkin<\/i> for Cocagne<\/i>, then on the same filmmaker's theory of montage), I continued this research for the creation of Attractions<\/a><\/span> in 2021, bringing into play a choreographic work that borrows from and draws its raison d'\u00eatre from film editing, both visual and sound.<\/p>

This back-and-forth between choreography and cinema led me to make (modestly and without any particular technical background) various short films used for some of my performances created in situ (Cocagne click&collect<\/i>, H\u00f4tel Flaubert-Rouen, at the invitation of the Frac-Normandie Rouen, as part of the exhibition d\u00e9sentimentaliser<\/i>).<\/p>

With the ARCANES project, a collection of short films, the cinematographic challenge I am tackling is different, drawing its source not from editing, but from the question of framing and the mise en ab\u00eeme that this notion raises:<\/p>

I have often noticed that we are incapable of looking at what is in front of us unless it is in a frame. Abbas Kiarostami<\/p>

Abbas Kiarostami's latest film, 24 frames<\/i>, is thus a starting point for the work of ARCANES paysages<\/a><\/span>, a choreographic trio that is written in the light of the different types of landscape in which it is set, and whose first opus took place on 3 July 2022 at the Moulin d'And\u00e9 (ARCANES paysage, Mont Saint-Michel<\/i> created in April 2023 on the Couesnon dam).<\/p>

Each performance brings into play different frames placed or suspended in spaces chosen with regard to the choreography.<\/p>

ARCANES paysages is thus conceived as a continuous<\/i> creation, with the performance being choreographically renewed according to the invitations and spaces it occupies.<\/p>

Within this body of work, the first short films in the ARCANES collection, EVERSO and MIRARI, are conceived as a filmic translation capable of poeticising the setting once again, through the treatment of the image itself and the nature of the places in which they operate.<\/p>

Filmed in a fixed shot, EVERSO<\/i><\/b> is a contemplative choreographic work between immobility and movement, which takes place on a balcony where three women weave a sequence of pauses, inviting the viewer to perceive a succession of living tableaux. As they move within this confined space, they gradually open different bay windows, inviting the viewer to renew their gaze in the light of the new frame that emerges. The dramaturgical progression works to abolish narration, shifting towards a strangeness of presences that evolve at a slightly slowed pace, while the presence of a cat with its natural motor skills randomly provides a counterpoint, like another reality.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"video\",\r\n \"cont\": \"https:\/\/i.vimeocdn.com\/video\/2000584489-c5ce6f080b55f243b8b42a277ebc0b68575ecc95656708bccc396187f1b9154d-d_295x166?region=us\",\r\n \"align\": \"top\",\r\n \"row\": 5,\r\n \"col\": 0,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 11,\r\n \"iframe\": \"