{"id":204,"date":"2022-07-22T16:39:18","date_gmt":"2022-07-16T20:14:41","guid":{"rendered":"http:\/\/pavillon-s.com\/waveparty-2\/"},"modified":"2023-12-12T15:55:12","modified_gmt":"2023-12-12T14:55:12","slug":"simons-says","status":"publish","type":"post","link":"http:\/\/pavillon-s.com\/en\/simons-says\/","title":{"rendered":"Simon says"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":210,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"class_list":["post-204","post","type-post","status-publish","has-post-thumbnail","hentry","category-spectacles"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    2.5,\r\n    1,\r\n    2,\r\n    2,\r\n    2,\r\n    2,\r\n    2,\r\n    2\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"leftFrameMargin\": 2.5,\r\n  \"rightFrameMargin\": 5,\r\n  \"topFrameMargin\": 180,\r\n  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commun tient \u00e0 cette adr\u00e9naline, \u00e0 ce go\u00fbt du risque et \u00e0 ces sensations fortes, qui, sorties des jeux de l\u2019enfance s\u2019exercent \u00e0 l\u2019\u00e2ge adulte dans une \u00e9nergie qui appelle parfois la comp\u00e9titivit\u00e9, le d\u00e9passement de soi, la conqu\u00eate de l\u2019autre... des autres.<br \/>Exercice communautaire qui nous r\u00e9v\u00e8le, notre <span style=\\\"color: #1500f6;\\\">Simon says<\/span> travaille parfois jusqu\u2019\u00e0 l\u2019\u00e9puisement ce qui fait notre mati\u00e8re humaine.<br \/>\u2014 Emmanuelle Vo-Dinh<br \/>\u00a0<br \/>*Simon est un jeu de soci\u00e9t\u00e9 \u00e9lectronique de forme circulaire comportant quatre grosses touches de couleurs diff\u00e9rentes, rouge, vert, bleu et jaune. Le jeu \u00e9claire une des quatre couleurs et produit un son toujours associ\u00e9 \u00e0 cette couleur. Le joueur doit alors appuyer sur la touche de la couleur qui vient de s'allumer dans un d\u00e9lai assez court. Le jeu r\u00e9p\u00e8te la m\u00eame couleur et le m\u00eame son, puis ajoute au hasard une nouvelle couleur. Le joueur doit reproduire cette nouvelle s\u00e9quence. Chaque fois que le joueur reproduit correctement la s\u00e9quence, le jeu ajoute une nouvelle couleur. Le but du jeu \u00e9tant de reproduire la plus longue des suites.<\/p><p class=\\\"_texte_page\\\"><span style=\\\"color: #1500f6;\\\">Le Havre - Hong Kong<\/span> <br \/>En septembre 2015, \u00e0 l\u2019invitation du West Kowloon Cultural District \u00e0 Hong Kong et de la compagnie du chor\u00e9graphe Ong Yong Lock, j\u2019ai donn\u00e9 un workshop de six jours \u00e0 Hong Kong sur mes processus d\u2019\u00e9criture chor\u00e9graphique \u00e0 quinze danseurs contemporains hongkongais.<br \/>A l\u2019issue de cette intense semaine de travail, le d\u00e9sir de prolonger cette collaboration s\u2019est concr\u00e9tis\u00e9 par l\u2019invitation au Phare de quatre danseurs hongkongais et du chor\u00e9graphe Ong Yong Lock du 15 au 25 mars 2016. L\u2019immersion de ces quatre interpr\u00e8tes dans ce workshop au Phare m\u2019a donn\u00e9 l\u2019envie de cr\u00e9er une pi\u00e8ce avec et pour eux. La cr\u00e9ation de <span style=\\\"color: #1500f6;\\\">Simon says<\/span> est n\u00e9e de ce d\u00e9sir partag\u00e9.\u00a0 <br \/><br \/><span style=\\\"color: #1500f6;\\\">Hong Kong - Le Havre<\/span><br \/>La n\u00e9cessit\u00e9 d\u2019\u00e9crire une pi\u00e8ce est li\u00e9e pour moi au partage d\u2019une aventure qui rel\u00e8ve d\u2019une exp\u00e9rience commune avec des interpr\u00e8tes dont l\u2019investissement en studio doit \u00eatre primordial : il s\u2019articule sur des improvisations que je guide, et leur capacit\u00e9 \u00e0 investir une id\u00e9e premi\u00e8re en la transgressant le cas \u00e9ch\u00e9ant.<br \/>La compr\u00e9hension de ce processus fonctionne comme un aller-retour entre r\u00e9flexion et l\u00e2cher prise.<br \/>Les quatre interpr\u00e8tes avec qui j\u2019ai choisi de m\u2019engager partagent donc avec moi cette approche qui leur est par ailleurs totalement in\u00e9dite.<br \/>Leur parcours d\u2019artiste chor\u00e9graphique est tr\u00e8s \u00e9loign\u00e9 de cette relation \u00e0 la cr\u00e9ation: il est souvent conditionn\u00e9 \u00e0 une exp\u00e9rience d\u2019efficacit\u00e9 que des conditions de travail leur imposent.<br \/>Apprendre et comprendre vite, leur est donc quelque part intrins\u00e8que, et fait partie d\u2019un savoir faire qu\u2019ils maitrisent \u00e0 la perfection.<br \/>Leur soif de d\u00e9couverte se conjugue ainsi \u00e0 leur capacit\u00e9 \u00e0 dig\u00e9rer tr\u00e8s vite les processus mis en jeu en studio.<br \/>C\u2019est en questionnant cette approche que la structure chor\u00e9graphique et dramaturgique de Simon says s\u2019est r\u00e9v\u00e9l\u00e9e pertinente.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.vimeocdn.com\/video\/666869748-87d9e133de46ac8c9e89c0a79aed0cfe2a454d95648e89ada4670b06382a633b-d_640\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"iframe\": \"<iframe src=\\\"\/\/player.vimeo.com\/video\/242630830?api=1&title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\\\" width=\\\"640\\\" height=\\\"360\\\" frameborder=\\\"0\\\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/vimeo.com\/242630830\",\r\n      \"w\": 640,\r\n      \"h\": 360,\r\n      \"ar\": 0.5625,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_texte_page\\\"><span style=\\\"color: #1500f6;\\\">Presse<\/span><br \/><span style=\\\"color: #000000;\\\"><a style=\\\"color: #000000;\\\" rel=\\\"noopener\\\" href=\\\"https:\/\/www.lemonde.fr\/scenes\/article\/2017\/06\/07\/hongkong-veut-devenir-un-hub-culturel_5139837_1654999.html\\\" target=\\\"_blank\\\">Le Monde<\/a><\/span><br \/><span style=\\\"color: #000000;\\\"><a style=\\\"color: #000000;\\\" rel=\\\"noopener\\\" href=\\\"https:\/\/www.mouvement.net\/du-bon-usage-des-regles\\\" target=\\\"_blank\\\">Mouvement<\/a><\/span><br \/><span style=\\\"color: #000000;\\\"><a style=\\\"color: #000000;\\\" rel=\\\"noopener\\\" href=\\\"https:\/\/dansercanalhistorique.fr\/?q=content\/emmanuelle-vo-dinh-simon-says\\\" target=\\\"_blank\\\">Danser canal historique<\/a><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 11,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_texte_page\\\"><span style=\\\"color: #1500f6;\\\">Simon says<\/span><br \/><span style=\\\"color: #1500f6;\\\">conception et sc\u00e9nographie<\/span> Emmanuelle Vo-Dinh<br \/><span style=\\\"color: #1500f6;\\\">interpr\u00e9tation<\/span>\u00a0Yau Chin Shing, James - Wong Choi Si, Tracy - Li Ka Man, Carman - Lee Wai Nang, Joseph<br \/><span style=\\\"color: #1500f6;\\\">coaching<\/span> Ong Yong Lock<br \/><span style=\\\"color: #1500f6;\\\">assistante<\/span> Violette Ang\u00e9<br \/><span style=\\\"color: #1500f6;\\\">musique<\/span> David Monceau, Emmanuelle Vo-Dinh<br \/><span style=\\\"color: #1500f6;\\\">lumi\u00e8res<\/span> Fran\u00e7oise Michel<br \/><span style=\\\"color: #1500f6;\\\">costumes<\/span> Salina Dumay<br \/><span style=\\\"color: #1500f6;\\\">dur\u00e9e<\/span> 60 minutes<br \/>\u00a0<br \/><span style=\\\"color: #1500f6;\\\">production et diffusion<\/span> PAVILLON-S, Emmanuelle Vo-Dinh ; Unlock Dancing Plaza<br \/>Une production du Phare, Centre chor\u00e9graphique national du Havre Normandie (2019)<br \/><span style=\\\"color: #1500f6;\\\">soutiens<\/span> West Kowloon Cultural District Authority, Honk Kong ; Institut Fran\u00e7ais, Paris<br \/><span style=\\\"color: #1500f6;\\\">Remerciements chaleureux<\/span> \u00e0 Anna Chan et Louis Yu (West Kowloon Cultural District Authority)<br \/>Pavillon-s est subventionn\u00e9 par le Minist\u00e8re de la culture \u2013 direction g\u00e9n\u00e9rale de la cr\u00e9ation artistique, la R\u00e9gion Normandie, le D\u00e9partement de l'Eure, le D\u00e9partement de Seine-Maritime et la Ville de Rouen.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    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style=\\\"color: #1500f6;\\\">Guangdong Dance Festival<\/span> (Chine)<br \/>29 novembre 2017 - <span style=\\\"color: #1500f6;\\\">Guangdong Dance Festival<\/span> (Chine)<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"leftFrameMargin\": 5,\r\n  \"rightFrameMargin\": 5,\r\n  \"topFrameMargin\": \"15\",\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"bgImage\": null,\r\n  \"cont\": [\r\n    {\r\n      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adulte dans une \u00e9nergie qui appelle parfois la comp\u00e9titivit\u00e9, le d\u00e9passement de soi, la conqu\u00eate de l\u2019autre... des autres.<br \/>Exercice communautaire qui nous r\u00e9v\u00e8le, notre <span style=\\\"color: #1500f6;\\\">Simon says<\/span> travaille parfois jusqu\u2019\u00e0 l\u2019\u00e9puisement ce qui fait notre mati\u00e8re humaine.<br \/>\u2014 Emmanuelle Vo-Dinh<br \/>\u00a0<br \/>*Simon est un jeu de soci\u00e9t\u00e9 \u00e9lectronique de forme circulaire comportant quatre grosses touches de couleurs diff\u00e9rentes, rouge, vert, bleu et jaune. Le jeu \u00e9claire une des quatre couleurs et produit un son toujours associ\u00e9 \u00e0 cette couleur. Le joueur doit alors appuyer sur la touche de la couleur qui vient de s'allumer dans un d\u00e9lai assez court. Le jeu r\u00e9p\u00e8te la m\u00eame couleur et le m\u00eame son, puis ajoute au hasard une nouvelle couleur. Le joueur doit reproduire cette nouvelle s\u00e9quence. Chaque fois que le joueur reproduit correctement la s\u00e9quence, le jeu ajoute une nouvelle couleur. Le but du jeu \u00e9tant de reproduire la plus longue des suites.<\/p><p class=\\\"_texte_page\\\"><span style=\\\"color: #1500f6;\\\">Le Havre - Hong Kong<\/span> <br \/>En septembre 2015, \u00e0 l\u2019invitation du West Kowloon Cultural District \u00e0 Hong Kong et de la compagnie du chor\u00e9graphe Ong Yong Lock, j\u2019ai donn\u00e9 un workshop de six jours \u00e0 Hong Kong sur mes processus d\u2019\u00e9criture chor\u00e9graphique \u00e0 quinze danseurs contemporains hongkongais.<br \/>A l\u2019issue de cette intense semaine de travail, le d\u00e9sir de prolonger cette collaboration s\u2019est concr\u00e9tis\u00e9 par l\u2019invitation au Phare de quatre danseurs hongkongais et du chor\u00e9graphe Ong Yong Lock du 15 au 25 mars 2016. L\u2019immersion de ces quatre interpr\u00e8tes dans ce workshop au Phare m\u2019a donn\u00e9 l\u2019envie de cr\u00e9er une pi\u00e8ce avec et pour eux. La cr\u00e9ation de <span style=\\\"color: #1500f6;\\\">Simon says<\/span> est n\u00e9e de ce d\u00e9sir partag\u00e9.\u00a0 <br \/><br \/><span style=\\\"color: #1500f6;\\\">Hong Kong - Le Havre<\/span><br \/>La n\u00e9cessit\u00e9 d\u2019\u00e9crire une pi\u00e8ce est li\u00e9e pour moi au partage d\u2019une aventure qui rel\u00e8ve d\u2019une exp\u00e9rience commune avec des interpr\u00e8tes dont l\u2019investissement en studio doit \u00eatre primordial : il s\u2019articule sur des improvisations que je guide, et leur capacit\u00e9 \u00e0 investir une id\u00e9e premi\u00e8re en la transgressant le cas \u00e9ch\u00e9ant.<br \/>La compr\u00e9hension de ce processus fonctionne comme un aller-retour entre r\u00e9flexion et l\u00e2cher prise.<br \/>Les quatre interpr\u00e8tes avec qui j\u2019ai choisi de m\u2019engager partagent donc avec moi cette approche qui leur est par ailleurs totalement in\u00e9dite.<br \/>Leur parcours d\u2019artiste chor\u00e9graphique est tr\u00e8s \u00e9loign\u00e9 de cette relation \u00e0 la cr\u00e9ation: il est souvent conditionn\u00e9 \u00e0 une exp\u00e9rience d\u2019efficacit\u00e9 que des conditions de travail leur imposent.<br \/>Apprendre et comprendre vite, leur est donc quelque part intrins\u00e8que, et fait partie d\u2019un savoir faire qu\u2019ils maitrisent \u00e0 la perfection.<br \/>Leur soif de d\u00e9couverte se conjugue ainsi \u00e0 leur capacit\u00e9 \u00e0 dig\u00e9rer tr\u00e8s vite les processus mis en jeu en studio.<br \/>C\u2019est en questionnant cette approche que la structure chor\u00e9graphique et dramaturgique de Simon says s\u2019est r\u00e9v\u00e9l\u00e9e pertinente.<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.vimeocdn.com\/video\/666869748-87d9e133de46ac8c9e89c0a79aed0cfe2a454d95648e89ada4670b06382a633b-d_640\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"iframe\": \"<iframe src=\\\"\/\/player.vimeo.com\/video\/242630830?api=1&title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\\\" width=\\\"640\\\" height=\\\"360\\\" frameborder=\\\"0\\\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/vimeo.com\/242630830\",\r\n      \"w\": 640,\r\n      \"h\": 360,\r\n      \"ar\": 0.5625,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_texte_page\\\"><span style=\\\"color: #1500f6;\\\">Presse<\/span><br \/><span style=\\\"color: #000000;\\\"><a style=\\\"color: #000000;\\\" rel=\\\"noopener\\\" href=\\\"https:\/\/www.lemonde.fr\/scenes\/article\/2017\/06\/07\/hongkong-veut-devenir-un-hub-culturel_5139837_1654999.html\\\" target=\\\"_blank\\\">Le Monde<\/a><\/span><br \/><span style=\\\"color: #000000;\\\"><a style=\\\"color: #000000;\\\" rel=\\\"noopener\\\" href=\\\"https:\/\/www.mouvement.net\/du-bon-usage-des-regles\\\" target=\\\"_blank\\\">Mouvement<\/a><\/span><br \/><span style=\\\"color: #000000;\\\"><a style=\\\"color: #000000;\\\" rel=\\\"noopener\\\" href=\\\"https:\/\/dansercanalhistorique.fr\/?q=content\/emmanuelle-vo-dinh-simon-says\\\" target=\\\"_blank\\\">Danser canal historique<\/a><\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 11,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_texte_page\\\"><span style=\\\"color: #1500f6;\\\">Simon says<\/span><br \/><span style=\\\"color: #1500f6;\\\">conception et sc\u00e9nographie<\/span> Emmanuelle Vo-Dinh<br \/><span style=\\\"color: #1500f6;\\\">interpr\u00e9tation<\/span>\u00a0Yau Chin Shing, James - Wong Choi Si, Tracy - Li Ka Man, Carman - Lee Wai Nang, Joseph<br \/><span style=\\\"color: #1500f6;\\\">coaching<\/span> Ong Yong Lock<br \/><span style=\\\"color: #1500f6;\\\">assistante<\/span> Violette Ang\u00e9<br \/><span style=\\\"color: #1500f6;\\\">musique<\/span> David Monceau, Emmanuelle Vo-Dinh<br \/><span style=\\\"color: #1500f6;\\\">lumi\u00e8res<\/span> Fran\u00e7oise Michel<br \/><span style=\\\"color: #1500f6;\\\">costumes<\/span> Salina Dumay<br \/><span style=\\\"color: #1500f6;\\\">dur\u00e9e<\/span> 60 minutes<br \/>\u00a0<br \/><span style=\\\"color: #1500f6;\\\">production et diffusion<\/span> PAVILLON-S, Emmanuelle Vo-Dinh ; Unlock Dancing Plaza<br \/>Une production du Phare, Centre chor\u00e9graphique national du Havre Normandie (2019)<br \/><span style=\\\"color: #1500f6;\\\">soutiens<\/span> West Kowloon Cultural District Authority, Honk Kong ; Institut Fran\u00e7ais, Paris<br \/><span style=\\\"color: #1500f6;\\\">Remerciements chaleureux<\/span> \u00e0 Anna Chan et Louis Yu (West Kowloon Cultural District Authority)<br \/>Pavillon-s est subventionn\u00e9 par le Minist\u00e8re de la culture \u2013 direction g\u00e9n\u00e9rale de la cr\u00e9ation artistique, la R\u00e9gion Normandie, le D\u00e9partement de l'Eure, le D\u00e9partement de Seine-Maritime et la Ville de Rouen.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_texte_page\\\"><span style=\\\"color: #1500f6;\\\">Cr\u00e9ation et tourn\u00e9es<\/span><br \/>25 janvier 2017 - <span style=\\\"color: #1500f6;\\\">Le Phare, CCN du Havre Normandie<\/span><br \/>26 janvier 2017 - <span style=\\\"color: #1500f6;\\\">Le Phare, CCN du Havre Normandie<\/span><br \/>14 mai 2017 - <span style=\\\"color: #1500f6;\\\">Public forum, from network to coproduction : case studies from Asia and Europe \/ West Kowloon Cultural District<\/span> <br \/>2 juin 2017 - <span style=\\\"color: #1500f6;\\\">French May Arts Festival, Hong Kong Cultural Centre<\/span> \u2014 Studio Theatre<br \/>3 juin 2017 - <span style=\\\"color: #1500f6;\\\">French May Arts Festival, Hong Kong Cultural Centre<\/span> \u2014 Studio Theatre<br \/>4 juin 2017 - <span style=\\\"color: #1500f6;\\\">French May Arts Festival, Hong Kong Cultural Centre<\/span> \u2014 Studio Theatre<br \/>28 novembre 2017 - <span style=\\\"color: #1500f6;\\\">Guangdong Dance Festival<\/span> (Chine)<br \/>29 novembre 2017 - <span style=\\\"color: #1500f6;\\\">Guangdong Dance Festival<\/span> (Chine)<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8\r\n    }\r\n  ]\r\n}","_links":{"self":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts\/204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/comments?post=204"}],"version-history":[{"count":0,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts\/204\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/media\/210"}],"wp:attachment":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/media?parent=204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/categories?post=204"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/tags?post=204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}