{"id":150,"date":"2022-07-21T23:49:20","date_gmt":"2022-07-16T20:14:41","guid":{"rendered":"http:\/\/pavillon-s.com\/waveparty-2\/"},"modified":"2025-12-08T15:18:38","modified_gmt":"2025-12-08T14:18:38","slug":"attractions","status":"publish","type":"post","link":"http:\/\/pavillon-s.com\/en\/attractions\/","title":{"rendered":"Attractions"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":155,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"class_list":["post-150","post","type-post","status-publish","has-post-thumbnail","hentry","category-spectacles"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    2.5,\r\n    1,\r\n    2,\r\n    2,\r\n    2,\r\n    2,\r\n    2\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"leftFrameMargin\": 2.5,\r\n  \"rightFrameMargin\": 5,\r\n  \"topFrameMargin\": 180,\r\n  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Sergei Eisenstein, the concept of a \u201cmontage of attractions\u201d consists of the juxtaposition and linking of separate images, stacked next to each other but deliberately devoid of narration, while encouraging the association of the spectator\u2019s own ideas and reactions. <br \/>Here, in the black box configuration of the stage, this flow of images also flows over and through the bodies of the performers who execute the sequencing of these attractions at each performance. <br \/>In Attractions, more than 80 micro-sketches are performed, some in the form of cabaret numbers, abstract landscapes and shortened, off the wall fictions, borrowed from film and other media. <br \/>The idea of the montage, its running time, the musical and acoustic rhythms, using more than 2000 distinct audio files, setting up an attempt at a dialectic \u2013 whereas the aesthetic of the 180 costumes worn in turn by the performers, generate a series of images, of twisted memories, in rolling waves, reminding us inevitably of certain elements of our daily lives, in the abundance of information being projected and received\u2026 a stream flowing through this strange journey, both familiar and unknown, individual and collective.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.vimeocdn.com\/video\/1344048107-43be3b7cbc680b4c363110063d290e0fc6b8d77814d30b452aa7981398db5197-d_640\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"iframe\": \"<iframe 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Bigot, Aniol Busquets, Maeva Cunci, Cyril Geeroms, Camille Kerdellant<br \/><span style=\\\"color: #1500f6;\\\">Musique originale<\/span> Olyphant<br \/><span style=\\\"color: #1500f6;\\\">Cr\u00e9ation lumi\u00e8res<\/span>\u00a0Yannick Fouassier<br \/><span style=\\\"color: #1500f6;\\\">Costumes<\/span> Maeva Cunci<br \/><span style=\\\"color: #1500f6;\\\">R\u00e9gie g\u00e9n\u00e9rale<\/span> Beno\u00eet Duboc<br \/><span style=\\\"color: #1500f6;\\\">R\u00e9gie plateau<\/span> J\u00e9r\u00e9mie Angouillant<br \/>\u00a0<br \/><span style=\\\"color: #1500f6;\\\">Production<\/span> PAVILLON-S, Emmanuelle Vo-Dinh\u2028. Une production du Phare, Centre chor\u00e9graphique national du Havre Normandie (2021)<br \/><span style=\\\"color: #1500f6;\\\">Coproductions<\/span> Le Volcan, Sc\u00e8ne nationale du Havre ; Le Th\u00e9\u00e2tre - sc\u00e8ne nationale de Saint-Nazaire ; Centre chor\u00e9graphique national de Nantes<br \/><span style=\\\"color: #1500f6;\\\">R\u00e9sidence de cr\u00e9ation<\/span> DSN - Dieppe Sc\u00e8ne Nationale<br \/><span style=\\\"color: #1500f6;\\\">Soutien<\/span> D\u00e9partement 76<\/p><p class=\\\"_texte_page\\\"><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\">Pavillon-s est subventionn\u00e9 par le Minist\u00e8re de la culture \u2013 direction g\u00e9n\u00e9rale de la cr\u00e9ation artistique, la R\u00e9gion Normandie, le D\u00e9partement de l'Eure, le D\u00e9partement de Seine-Maritime et la Ville de Rouen.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_texte_page\\\"><span style=\\\"color: #1500f6;\\\">Cr\u00e9ation et tourn\u00e9es<\/span><br \/><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\">12 octobre 2021 <span style=\\\"color: #1500f6;\\\">\u2013 Le Volcan, Sc\u00e8ne nationale du Havre, programmation hors les murs au Phare<\/span><br \/><\/span><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\">13 octobre 2021 <span style=\\\"color: #1500f6;\\\">\u2013 <span>Le Volcan, Sc\u00e8ne nationale du Havre, programmation hors les murs au Phare<\/span><\/span><br \/><\/span><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\">14 octobre 2021 <span style=\\\"color: #1500f6;\\\">\u2013 <span>Le Volcan, Sc\u00e8ne nationale du Havre, programmation hors les murs au Phare<\/span><\/span><\/span><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\"> <br \/><\/span><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\">26 janvier 2022 <span style=\\\"color: #1500f6;\\\">\u2013 Dieppe Sc\u00e8ne Nationale<\/span><br \/><\/span><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\">17 septembre 2022 <span style=\\\"color: #1500f6;\\\">\u2013 Attractions \u00e0 la carte, Wei! Week-end int\u00e9gral #1, And\u00e9<\/span><\/span><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\"><span style=\\\"color: #1500f6;\\\"><br \/><span style=\\\"color: #000000;\\\">16 janvier 2024 -<\/span> CCN de Nantes, dans le cadre du Festival Trajectoires<br \/><span style=\\\"color: #000000;\\\">9 avril 2024<\/span> - Le Th\u00e9\u00e2tre, sc\u00e8ne nationale de Saint-Nazaire<br \/><\/span><\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8\r\n    }\r\n  ]\r\n}","phonegrid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5,\r\n    5\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"leftFrameMargin\": 5,\r\n  \"rightFrameMargin\": 5,\r\n  \"topFrameMargin\": 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\"\/wp-content\/uploads\/2022\/07\/LPH3360080-1280x853.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2022\/07\/LPH3360080-1024x683.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2022\/07\/LPH3360080-768x512.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2022\/07\/LPH3360080-512x341.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2022\/07\/LPH3360080-265x177.jpg\"\r\n          },\r\n          \"w\": 1773,\r\n          \"h\": 1182,\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p class=\\\"_texte_page\\\">\u00a9 Laurent Philippe<\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 156,\r\n          \"cont\": \"\/wp-content\/uploads\/2022\/07\/LPH3360092.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2022\/07\/LPH3360092.jpg\",\r\n            \"_1280\": \"\/wp-content\/uploads\/2022\/07\/LPH3360092-1280x853.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2022\/07\/LPH3360092-1024x683.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2022\/07\/LPH3360092-768x512.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2022\/07\/LPH3360092-512x341.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2022\/07\/LPH3360092-265x177.jpg\"\r\n          },\r\n          \"w\": 1773,\r\n          \"h\": 1182,\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p class=\\\"_texte_page\\\">\u00a9 Laurent Philippe<\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 158,\r\n          \"cont\": \"\/wp-content\/uploads\/2022\/07\/LPH3360107.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2022\/07\/LPH3360107.jpg\",\r\n            \"_1280\": \"\/wp-content\/uploads\/2022\/07\/LPH3360107-1280x853.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2022\/07\/LPH3360107-1024x683.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2022\/07\/LPH3360107-768x512.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2022\/07\/LPH3360107-512x341.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2022\/07\/LPH3360107-265x177.jpg\"\r\n          },\r\n          \"w\": 1773,\r\n          \"h\": 1182,\r\n          \"ar\": 0.6666666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p class=\\\"_texte_page\\\">\u00a9 Laurent Philippe<\/p>\"\r\n        }\r\n      ],\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_texte_page\\\">The origin of Attractions is the cinematographic form of the same name; it appeared at the very beginnings of film, in the form of short films.<br \/>This form is focused on literally grabbing the attention of the spectator, sacrifying certain principles of reality and assaulting the spectator with a sensorial or psychological action.<br \/>Developed by the Russian film director Sergei Eisenstein, the concept of a \u201cmontage of attractions\u201d consists of the juxtaposition and linking of separate images, stacked next to each other but deliberately devoid of narration, while encouraging the association of the spectator\u2019s own ideas and reactions. <br \/>Here, in the black box configuration of the stage, this flow of images also flows over and through the bodies of the performers who execute the sequencing of these attractions at each performance. <br \/>In Attractions, more than 80 micro-sketches are performed, some in the form of cabaret numbers, abstract landscapes and shortened, off the wall fictions, borrowed from film and other media. <br \/>The idea of the montage, its running time, the musical and acoustic rhythms, using more than 2000 distinct audio files, setting up an attempt at a dialectic \u2013 whereas the aesthetic of the 180 costumes worn in turn by the performers, generate a series of images, of twisted memories, in rolling waves, reminding us inevitably of certain elements of our daily lives, in the abundance of information being projected and received\u2026 a stream flowing through this strange journey, both familiar and unknown, individual and collective.<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.vimeocdn.com\/video\/1344048107-43be3b7cbc680b4c363110063d290e0fc6b8d77814d30b452aa7981398db5197-d_640\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"iframe\": \"<iframe src=\\\"\/\/player.vimeo.com\/video\/664027946?api=1&title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\\\" width=\\\"640\\\" height=\\\"360\\\" frameborder=\\\"0\\\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/vimeo.com\/664027946\",\r\n      \"w\": 640,\r\n      \"h\": 360,\r\n      \"ar\": 0.5625,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_texte_page\\\"><span style=\\\"color: #1500f6;\\\">Presse<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 11,\r\n      \"dosync\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_texte_page\\\"><span style=\\\"color: #1500f6;\\\">Attractions<\/span><\/p><p class=\\\"_texte_page\\\"><span style=\\\"color: #1500f6;\\\">Conception<\/span> Emmanuelle Vo-Dinh <br \/><span style=\\\"color: #1500f6;\\\">Sc\u00e9nographie<\/span> Maeva Cunci, Yannick Fouassier, Emmanuelle Vo-Dinh<br \/><span style=\\\"color: #1500f6;\\\">Collaboration artistique<\/span>\u00a0David Monceau, Sabine Macher <br \/><span style=\\\"color: #1500f6;\\\">Interpr\u00e9tation<\/span> Violette Ang\u00e9, Gilles Baron, Alexia Bigot, Aniol Busquets, Maeva Cunci, Cyril Geeroms, Camille Kerdellant<br \/><span style=\\\"color: #1500f6;\\\">Musique originale<\/span> Olyphant<br \/><span style=\\\"color: #1500f6;\\\">Cr\u00e9ation lumi\u00e8res<\/span>\u00a0Yannick Fouassier<br \/><span style=\\\"color: #1500f6;\\\">Costumes<\/span> Maeva Cunci<br \/><span style=\\\"color: #1500f6;\\\">R\u00e9gie g\u00e9n\u00e9rale<\/span> Beno\u00eet Duboc<br \/><span style=\\\"color: #1500f6;\\\">R\u00e9gie plateau<\/span> J\u00e9r\u00e9mie Angouillant<br \/>\u00a0<br \/><span style=\\\"color: #1500f6;\\\">Production<\/span> PAVILLON-S, Emmanuelle Vo-Dinh\u2028. Une production du Phare, Centre chor\u00e9graphique national du Havre Normandie (2021)<br \/><span style=\\\"color: #1500f6;\\\">Coproductions<\/span> Le Volcan, Sc\u00e8ne nationale du Havre ; Le Th\u00e9\u00e2tre - sc\u00e8ne nationale de Saint-Nazaire ; Centre chor\u00e9graphique national de Nantes<br \/><span style=\\\"color: #1500f6;\\\">R\u00e9sidence de cr\u00e9ation<\/span> DSN - Dieppe Sc\u00e8ne Nationale<br \/><span style=\\\"color: #1500f6;\\\">Soutien<\/span> D\u00e9partement 76<\/p><p class=\\\"_texte_page\\\"><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\">Pavillon-s est subventionn\u00e9 par le Minist\u00e8re de la culture \u2013 direction g\u00e9n\u00e9rale de la cr\u00e9ation artistique, la R\u00e9gion Normandie, le D\u00e9partement de l'Eure, le D\u00e9partement de Seine-Maritime et la Ville de Rouen.<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_texte_page\\\"><span style=\\\"color: #1500f6;\\\">Cr\u00e9ation et tourn\u00e9es<\/span><br \/><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\">12 octobre 2021 <span style=\\\"color: #1500f6;\\\">\u2013 Le Volcan, Sc\u00e8ne nationale du Havre, programmation hors les murs au Phare<\/span><br \/><\/span><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\">13 octobre 2021 <span style=\\\"color: #1500f6;\\\">\u2013 <span>Le Volcan, Sc\u00e8ne nationale du Havre, programmation hors les murs au Phare<\/span><\/span><br \/><\/span><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\">14 octobre 2021 <span style=\\\"color: #1500f6;\\\">\u2013 <span>Le Volcan, Sc\u00e8ne nationale du Havre, programmation hors les murs au Phare<\/span><\/span><\/span><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\"> <br \/><\/span><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\">26 janvier 2022 <span style=\\\"color: #1500f6;\\\">\u2013 Dieppe Sc\u00e8ne Nationale<\/span><br \/><\/span><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\">17 septembre 2022 <span style=\\\"color: #1500f6;\\\">\u2013 Attractions \u00e0 la carte, Wei! Week-end int\u00e9gral #1, And\u00e9<\/span><\/span><span style=\\\"letter-spacing: 0.01em; text-indent: 0em;\\\"><span style=\\\"color: #1500f6;\\\"><br \/><span style=\\\"color: #000000;\\\">16 janvier 2024 -<\/span> CCN de Nantes, dans le cadre du Festival Trajectoires<br \/><span style=\\\"color: #000000;\\\">9 avril 2024<\/span> - Le Th\u00e9\u00e2tre, sc\u00e8ne nationale de Saint-Nazaire<br \/><\/span><\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8\r\n    }\r\n  ]\r\n}","_links":{"self":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts\/150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/comments?post=150"}],"version-history":[{"count":0,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts\/150\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/media\/155"}],"wp:attachment":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/media?parent=150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/categories?post=150"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/tags?post=150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}