{"id":1449,"date":"2026-06-26T15:41:39","date_gmt":"2026-06-26T13:41:39","guid":{"rendered":"http:\/\/pavillon-s.com\/higanbana-copy\/"},"modified":"2026-06-26T16:05:20","modified_gmt":"2026-06-26T14:05:20","slug":"pandore","status":"publish","type":"post","link":"http:\/\/pavillon-s.com\/en\/pandore\/","title":{"rendered":"PANDORE"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":1450,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"class_list":["post-1449","post","type-post","status-publish","has-post-thumbnail","hentry","category-spectacles"],"grid":"{\"colCount\":12,\"colGutter\":1,\"rowGutters\":[2.5,3,3,2.4,5],\"frameMargin\":5,\"leftFrameMargin\":2.5,\"rightFrameMargin\":5,\"topFrameMargin\":180,\"mus\":{\"colGutterMu\":\"%\",\"rowGutterMu\":\"%\",\"topFrameMu\":\"px\",\"bottomFrameMu\":\"px\",\"frameMu\":\"px\"},\"bottomFrameMargin\":5,\"rowAttrs\":[{\"relid\":1},{\"relid\":2},{\"relid\":21},{\"relid\":10},{\"relid\":3},{\"relid\":12}],\"bgColor\":null,\"bgImage\":null,\"cont\":[{\"type\":\"text\",\"cont\":\"<h1 class=\\\"_menu_home\\\"><a href=\\\"http:\/\/pavillon-s.com\/emmanuelle-vo-dinh\/\\\" data-type=\\\"page\\\" data-id=\\\"73\\\" data-title=\\\"Emmanuelle Vo-Dinh\\\">Creations, residences...<\/a><\/h1>\",\"align\":\"top\",\"row\":0,\"col\":0,\"colspan\":8,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":9,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p style=\\\"line-height: 0.6;\\\"><span style=\\\"font-size: 30px; font-family: MODELO_V2-Bold;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\"><span style=\\\"caret-color: #1500f6;\\\">PANDORE<\/span><\/span><\/span><\/span><\/p><p style=\\\"line-height: 0.6;\\\"><span style=\\\"font-size: 20px;\\\">Creation 2026\\u00a0<br \/>From 6 years old<\/span><\/p>\",\"align\":\"top\",\"row\":1,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":556,\"absolute_position\":false},{\"type\":\"video\",\"cont\":\"https:\/\/i.vimeocdn.com\/video\/2168830373-a314bb1843dec80da950dd62fd8443215e2b33a5923c412dbf3fcaadda38f4fe-d_295x166?region=us\",\"align\":\"top\",\"row\":2,\"col\":0,\"colspan\":6,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":6,\"iframe\":\"<iframe src=\\\"\/\/player.vimeo.com\/video\/1178374744?api=1&byline=0&amp;portrait=0&amp;title=0&amp;color=ffffff\\\" width=\\\"426\\\" height=\\\"240\\\" frameborder=\\\"0\\\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe>\",\"url\":\"https:\/\/vimeo.com\/1178374744?fl=ip&fe=ec\",\"w\":426,\"h\":240,\"ar\":0.5633802816901409,\"absolute_position\":false,\"customLayControls\":false,\"showShareButton\":false},{\"type\":\"text\",\"cont\":\"<h1 class=\\\"_Titre_spectacle\\\"><span style=\\\"font-size: 18px;\\\">Introduction<\/span><\/h1><p class=\\\"_texte_page\\\"><em>Pandore<\/em>, the first woman in Greek mythology, created by Zeus to punish mankind, possesses all manner of gifts, including that of curiosity. By opening the \\u2018box\\u2019, Pandora unleashes plagues and curses upon the world, with the exception of \\u2018hope\\u2019\\u2026<\/p><p class=\\\"_texte_page\\\"><span style=\\\"color: #0000ff;\\\"><strong>PANDORE<\/strong><\/span> is a textile ritual performed as a duet, which uses movement to evoke the magic of apparitions. Two women, clearly bound by sisterhood, perform a naturalistic choreographic sequence centred on the folding and unfolding of various fabrics, themselves contained within furoshikis*<\/p><p class=\\\"_texte_page\\\">Through their interplay, they work to construct a shifting pictorial space, whether abstract or not. A continuum of precise gestures sets the textiles in motion, revealing various landscapes, forms and figures \\u2013 plant, animal or human\\u2026<\/p><p class=\\\"_texte_page\\\">A dreamlike space in constant transformation, where black and white gives way to a colourful tableau\\u2026 Pandora, or the dream of fabric!<\/p><p class=\\\"_texte_page\\\"><span style=\\\"color: #0000ff;\\\"><strong>PANDORE<\/strong><\/span> offers a first glimpse into the work of the Japanese filmmaker Yasujir\\u014d Ozu.<\/p><p class=\\\"_texte_page\\\">This duo is also, and above all, designed for non-dedicated spaces. It is aimed at audiences of all ages, from young people to adults.<\/p><p class=\\\"_texte_page\\\">*Furoshiki is a traditional Japanese technique for folding and tying fabric, used for wrapping gifts and carrying various everyday objects.<\/p><h1 class=\\\"_Titre_spectacle\\\"><span style=\\\"font-size: 18px;\\\">Intention<\/span><\/h1><p class=\\\"_texte_page\\\"><span style=\\\"color: #0000ff;\\\"><strong>PANDORE<\/strong><\/span> is a duet that serves as a precursor to a work based on the cinematic grammar of the filmmaker Yasujir\\u014d Ozu, in preparation for the quartet HIGANBANA, which is due to premiere in autumn 2027.<\/p><p class=\\\"_texte_page\\\">Conceived as a self-contained and versatile work, intended particularly for young audiences, this duo draws its inspiration from the world of the Japanese filmmaker:<\/p><p class=\\\"_texte_page\\\">In the second half of his career, Ozu\\u2019s cinema centred on the portrayal of the family \\u2013 a \\u2018pretext\\u2019 for exploring the passage of time \\u2026 and for focusing on an innovative cinematic form. Ozu also invented the \\u2018tatami\\u2019 shot (a shot framed at the eye level of a seated dog).<\/p><p class=\\\"_texte_page\\\">In his films, the family is often portrayed through the daily rituals of living together: eating or drinking, folding or unfolding clothes, getting dressed, packing or unpacking a suitcase\\u2026 all of which constitute recurring motifs, interspersed with shots of objects, landscapes or still lifes \\u2013 veritable paintings with meticulously composed frames that lend the film its rhythm.<\/p><p class=\\\"_texte_page\\\">At the crossroads between a study of the movement of family figures in Ozu\\u2019s cinema and his quasi-pictorial compositions, Pandore invents a choreographic form akin to a soothing ritual. A maelstrom of unfurled fabrics and simple gestures unfolding in stretched-out time transform this moment into a shared ceremony, a small elegy to the passing of time.<\/p><p class=\\\"_texte_page\\\">The set design, comprising in particular furoshikis (which originate from Japan), reveals a collection of fabrics chosen for their visual qualities (designer fabrics or upcycled materials)\\u2026 and deliberately left in their raw state, as a nod to wabi-sabi: \\u2018an aesthetic that advocates a return to simplicity, a peaceful restraint capable of positively influencing existence, where one can recognise and feel the beauty of imperfect, ephemeral and modest things\\u2019 (source: Wikipedia).<\/p><p class=\\\"_texte_page\\\">In Ozu\\u2019s cinema, everything revolves around the human condition, which is symbolised in Greek mythology by Pandora\\u2019s act.<\/p><p class=\\\"_texte_page\\\">For whilst Pandora releases terrible evils from the box, she retains \\u2018Elpis\\u2019, which we translate as \\u2018hope\\u2019 or \\u2018expectation\\u2019 but whose primary meaning is \\u2018waiting\\u2019 \\u2013 a concept that defines what makes us human.<\/p><p class=\\\"_texte_page\\\">Emmanuelle Vo-Dinh \\u2013 April 2026<\/p>\",\"align\":\"top\",\"row\":3,\"col\":0,\"colspan\":8,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":937,\"absolute_position\":false},{\"type\":\"img\",\"cont\":\"\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-26-a-15.49.49.png\",\"align\":\"middle\",\"row\":4,\"col\":0,\"colspan\":6,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":11,\"attid\":1451,\"sizes\":{\"full\":\"\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-26-a-15.49.49.png\",\"_768\":\"\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-26-a-15.49.49-768x702.png\",\"_512\":\"\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-26-a-15.49.49-512x468.png\",\"_265\":\"\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-26-a-15.49.49-265x242.png\"},\"w\":998,\"h\":912,\"ar\":0.9138276553106213,\"alt\":\"\",\"absolute_position\":false,\"frameOverflow\":\"\"},{\"type\":\"text\",\"cont\":\"<p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\"><span style=\\\"caret-color: #1500f6;\\\">HIGANBANA<\/span><\/span><\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\">Concept and scenography <\/span>Emmanuelle Vo-Dinh <\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\">Choreography and dance<\/span> Violette Ang\\u00e9, Alexia Bigot, Sabine Macher, Emmanuelle Vo-Dinh\\u00a0<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"color: #1500f6; letter-spacing: 0em;\\\">Light design <span style=\\\"color: #000000;\\\">casting in progress<\/span><\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\">Music <\/span>Olyphant<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"color: #1500f2;\\\">Production<\/span> PAVILLON-S, Emmanuelle Vo-Dinh<\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"color: #1500f2;\\\">Partners<\/span> Le Th\\u00e9\\u00e2tre, Sc\\u00e8ne nationale de St Nazaire, Ballet du Nord - CCN &amp; Vous!, in Progress...<\/p><p class=\\\"_texte_page\\\">Pavillon-s is supported by the Minist\\u00e8re de la culture \\u2013 DRAC de Normandie, the R\\u00e9gion Normandie, the D\\u00e9partement de l\\u2019Eure, the Ville de \\u00a0Rouen et the D\\u00e9partement de Seine-Maritime.<\/p><p class=\\\"_texte_page\\\"><span style=\\\"color: #0000ff;\\\">concept and scenography<\/span>\\u00a0Emmanuelle Vo-Dinh<br \/><span style=\\\"color: #0000ff;\\\">choreography and interpretation<\/span> Violette Ang\\u00e9, Alexia Bigot<br \/><span style=\\\"color: #0000ff;\\\">music<\/span>\\u00a0David Olyphant Monceau<br \/><span style=\\\"color: #0000ff;\\\">production<\/span> Pavillon-s<br \/><span style=\\\"color: #0000ff;\\\">coproduction<\/span> (in progress) Ballet du Nord - CCN &amp; Vous!, Le Lux \\u2013 Sc\\u00e8ne Nationale de Valence, Dance Cork Firkin Crane\\u2026<br \/><span style=\\\"color: #0000ff;\\\">With the support of<\/span> Spedidam<br \/><span style=\\\"color: #0000ff;\\\">duration<\/span>\\u00a030 minutes<br \/><span style=\\\"color: #0000ff;\\\">Creation<\/span> at the Centre Andr\\u00e9 Malraux in Rouen from June 29 to July 4 2026.<\/p>\",\"align\":\"top\",\"row\":5,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":7,\"absolute_position\":false}]}","phonegrid":"{\"colCount\":12,\"colGutter\":1,\"rowGutters\":[5,5,5,5,5],\"frameMargin\":5,\"leftFrameMargin\":5,\"rightFrameMargin\":5,\"topFrameMargin\":\"15\",\"bottomFrameMargin\":5,\"rowAttrs\":[{\"relid\":14},{\"relid\":15},{\"relid\":18},{\"relid\":17},{\"relid\":16},{\"relid\":19}],\"bgColor\":null,\"bgImage\":null,\"cont\":[{\"type\":\"text\",\"cont\":\"<h1 class=\\\"_menu_home\\\"><a href=\\\"http:\/\/pavillon-s.com\/emmanuelle-vo-dinh\/\\\" data-type=\\\"page\\\" data-id=\\\"73\\\" data-title=\\\"Emmanuelle Vo-Dinh\\\">Creations, residences...<\/a><\/h1>\",\"align\":\"bottom\",\"row\":0,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":9,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p style=\\\"line-height: 0.6;\\\"><span style=\\\"font-size: 30px; font-family: MODELO_V2-Bold;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\"><span style=\\\"caret-color: #1500f6;\\\">HIGANBANA<\/span><\/span><\/span><\/span><\/p><p style=\\\"line-height: 0.6;\\\"><span style=\\\"font-size: 20px;\\\">Cr\\u00e9ation automne 2027<br \/>en recherche de coproducteurs<\/span><\/p>\",\"align\":\"top\",\"row\":1,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":4,\"absolute_position\":false},{\"type\":\"video\",\"cont\":\"https:\/\/i.vimeocdn.com\/video\/2168830373-a314bb1843dec80da950dd62fd8443215e2b33a5923c412dbf3fcaadda38f4fe-d_295x166?region=us\",\"align\":\"middle\",\"row\":2,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":8,\"iframe\":\"<iframe src=\\\"\/\/player.vimeo.com\/video\/1178374744?api=1&byline=0&amp;portrait=0&amp;title=0&amp;color=ffffff\\\" width=\\\"426\\\" height=\\\"240\\\" frameborder=\\\"0\\\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe>\",\"url\":\"https:\/\/vimeo.com\/1178374744?fl=ip&fe=ec\",\"w\":426,\"h\":240,\"ar\":0.5633802816901409,\"absolute_position\":false,\"customLayControls\":false,\"showShareButton\":false},{\"type\":\"text\",\"cont\":\"<p class=\\\"_texte_page\\\" style=\\\"font-weight: 400;\\\"><span style=\\\"font-size: 20px;\\\"><em><span style=\\\"color: #0000ff;\\\">HIGANBANA<\/span> <\/em>met en sc\\u00e8ne quatre femmes d\\u00e9ployant une m\\u00eame partition aux temporalit\\u00e9s diff\\u00e9rentes. <\/span><span style=\\\"font-size: 20px;\\\">Compos\\u00e9 \\u00e0 partir d\\u2019actions du quotidien entrecoup\\u00e9es de repr\\u00e9sentations d\\u2019affects, ce quatuor travaille po\\u00e9tiquement la question du passage \\u00e0 travers la figure f\\u00e9minine\\u2026laquelle se r\\u00e9v\\u00e8le selon l\\u2019exp\\u00e9rience des 4 femmes d\\u2019\\u00e2ges diff\\u00e9rents en pr\\u00e9sence au plateau. <\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"font-weight: 400;\\\"><span style=\\\"font-size: 20px;\\\">Le processus d\\u2019\\u00e9criture d<em>\\u2019HIGANBANA<\/em> puise dans la grammaire du r\\u00e9alisateur japonais Yasujiro Ozu*\\u00a0: le travail du mouvement, de la voix, de la lumi\\u00e8re, du cadre, propres au cin\\u00e9aste, deviennent le terrain d\\u2019un jeu de r\\u00e8gles <em>cin\\u00e9-chor\\u00e9graphique<\/em>.<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"font-weight: 400;\\\"><span style=\\\"font-size: 20px;\\\">Pour autant, il ne s\\u2019agit pas de retranscrire une \\u0153uvre cin\\u00e9matographique au plateau, mais de s\\u2019emparer de sa mati\\u00e8re plastique, architecturale, naturaliste\\u2026 pour tenter de mettre en \\u0153uvre une forme stylistique qui r\\u00e9pond \\u00e0 sa fa\\u00e7on, au concept d\\u2019impermanence (concept pr\\u00e9gnant au Japon qui privil\\u00e9gie l\\u2019instant, le caract\\u00e8re \\u00e9ph\\u00e9m\\u00e8re de chaque chose)*.\\u00a0La question du rituel, de la transformation dans la r\\u00e9p\\u00e9tition, de ses variations temporelles, viennent figurer des pr\\u00e9sences chor\\u00e9graphiques qui tendent vers l\\u2019\\u00e9pure\\u2026.<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"font-weight: 400;\\\"><span style=\\\"font-size: 20px;\\\"><em>Plut\\u00f4t qu\\u2019une histoire superficielle je pr\\u00e9f\\u00e8re montrer des choses cach\\u00e9es, plus profondes, l\\u2019instabilit\\u00e9 des choses humaines, j\\u2019ai pr\\u00e9f\\u00e9r\\u00e9 laisser des espaces vides comme un arri\\u00e8re-go\\u00fbt plaisant.<\/em> -Yasujiro Ozu<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"font-weight: 400;\\\"><span style=\\\"font-size: 20px;\\\">Un univers plastique tr\\u00e8s pr\\u00e9sent, s\\u2019\\u00e9laborera \\u00e0 partir d\\u2019une r\\u00e9flexion sur le cadre, la lumi\\u00e8re, et viendra architecturer ces images-tableaux dans une pure vis\\u00e9e \\u00e9motionnelle, tandis que la <em>bande son<\/em> d\\u00e9ploiera des climats musicaux contrast\\u00e9s voire parfois h\\u00e9t\\u00e9roclites.<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"font-weight: 400;\\\"><span style=\\\"font-size: 20px;\\\">Ainsi, les espaces de silence et de respiration propres \\u00e0 la filmographie d\\u2019Ozu, mais aussi le jeu des actrices et acteurs de ses films, ou bien encore l\\u2019approche symbolique de chaque d\\u00e9tail sc\\u00e9nographique, sugg\\u00e8rent un espace de fiction \\u00e0 inventer, o\\u00f9 se joue en creux un travail sur les \\u00e9motions et leurs silences.<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"font-weight: 400;\\\"><span style=\\\"font-size: 20px;\\\"><em>Emmanuelle Vo-Dinh<\/em><\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"font-weight: 400;\\\"><span style=\\\"font-size: 20px;\\\">*Ce projet fait l\\u2019objet d\\u2019une candidature \\u00e0 la villa Kujoyama-Kyoto en 2025 pour une r\\u00e9sidence en 2026.<\/span><\/p>\",\"align\":\"top\",\"row\":3,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":2031,\"absolute_position\":false},{\"type\":\"img\",\"cont\":\"\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-26-a-15.49.49.png\",\"align\":\"top\",\"row\":4,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":2030,\"attid\":1451,\"sizes\":{\"full\":\"\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-26-a-15.49.49.png\",\"_768\":\"\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-26-a-15.49.49-768x702.png\",\"_512\":\"\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-26-a-15.49.49-512x468.png\",\"_265\":\"\/wp-content\/uploads\/2026\/06\/Capture-decran-2026-06-26-a-15.49.49-265x242.png\"},\"w\":998,\"h\":912,\"ar\":0.9138276553106213,\"alt\":\"\",\"absolute_position\":false,\"textOnElement\":{\"enabled\":false,\"topLeft\":\"\",\"topCenter\":\"\",\"topRight\":\"\",\"leftCenter\":\"\",\"centerCenter\":\"\",\"rightCenter\":\"\",\"bottomLeft\":\"\",\"bottomCenter\":\"\",\"bottomRight\":\"\",\"spaceLeftRight\":10,\"spaceLeftRightMu\":\"px\",\"spaceTopBottom\":10,\"spaceTopBottomMu\":\"px\",\"enableSpacePhone\":false,\"spaceLeftRightPhone\":10,\"spaceLeftRightPhoneMu\":\"px\",\"spaceTopBottomPhone\":10,\"spaceTopBottomPhoneMu\":\"px\",\"verticalOffsetCenter\":0,\"verticalOffsetCenterMu\":\"px\",\"verticalOffsetCenterPhone\":0,\"verticalOffsetCenterPhoneMu\":\"px\",\"darkGradientAtTop\":false,\"darkGradientAtBottom\":false,\"darkGradientAtTopColor\":\"#000000\",\"darkGradientAtBottomColor\":\"#000000\"}},{\"type\":\"text\",\"cont\":\"<p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\"><span style=\\\"caret-color: #1500f6;\\\">HIGANBANA<\/span><\/span><\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\">Concept and scenography <\/span>Emmanuelle Vo-Dinh <\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\">Choreography and dance<\/span> Violette Ang\\u00e9, Alexia Bigot, Sabine Macher, Emmanuelle Vo-Dinh\\u00a0<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"color: #1500f6; letter-spacing: 0em;\\\">Light design <span style=\\\"color: #000000;\\\">casting in progress<\/span><\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\">Music <\/span>Olyphant<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"color: #1500f2;\\\">Production<\/span> PAVILLON-S, Emmanuelle Vo-Dinh<\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"color: #1500f2;\\\">Partners<\/span> Le Th\\u00e9\\u00e2tre, Sc\\u00e8ne nationale de St Nazaire, Ballet du Nord - CCN &amp; Vous!, in Progress...<\/p><p class=\\\"_texte_page\\\">Pavillon-s is supported by the Minist\\u00e8re de la culture \\u2013 DRAC de Normandie, the R\\u00e9gion Normandie, the D\\u00e9partement de l\\u2019Eure, the Ville de \\u00a0Rouen et the D\\u00e9partement de Seine-Maritime.<\/p><p class=\\\"_texte_page\\\"><span style=\\\"color: #0000ff;\\\">concept and scenography<\/span>\\u00a0Emmanuelle Vo-Dinh<br \/><span style=\\\"color: #0000ff;\\\">choreography and interpretation<\/span> Violette Ang\\u00e9, Alexia Bigot<br \/><span style=\\\"color: #0000ff;\\\">music<\/span>\\u00a0David Olyphant Monceau<br \/><span style=\\\"color: #0000ff;\\\">production<\/span> Pavillon-s<br \/><span style=\\\"color: #0000ff;\\\">coproduction<\/span> (in progress) Ballet du Nord - CCN &amp; Vous!, Le Lux \\u2013 Sc\\u00e8ne Nationale de Valence, Dance Cork Firkin Crane\\u2026<br \/><span style=\\\"color: #0000ff;\\\">With the support of<\/span> Spedidam<br \/><span style=\\\"color: #0000ff;\\\">duration<\/span>\\u00a030 minutes<br \/><span style=\\\"color: #0000ff;\\\">Creation<\/span> at the Centre Andr\\u00e9 Malraux in Rouen from June 29 to July 4 2026.<\/p>\",\"align\":\"top\",\"row\":5,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":7,\"absolute_position\":false}]}","_links":{"self":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts\/1449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/comments?post=1449"}],"version-history":[{"count":0,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts\/1449\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/media\/1450"}],"wp:attachment":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/media?parent=1449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/categories?post=1449"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/tags?post=1449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}