{"id":1114,"date":"2025-05-07T11:53:40","date_gmt":"2022-07-16T20:14:41","guid":{"rendered":"https:\/\/pavillon-s.com\/leitmotiv-2\/"},"modified":"2026-10-12T11:40:10","modified_gmt":"2026-10-12T09:40:10","slug":"higanbana","status":"publish","type":"post","link":"http:\/\/pavillon-s.com\/en\/higanbana\/","title":{"rendered":"HIGANBANA"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1116,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[],"class_list":["post-1114","post","type-post","status-publish","has-post-thumbnail","hentry","category-spectacles"],"grid":"{\"colCount\":12,\"colGutter\":1,\"rowGutters\":[2.5,3,3,2.4,5,2.7],\"frameMargin\":5,\"leftFrameMargin\":2.5,\"rightFrameMargin\":5,\"topFrameMargin\":180,\"mus\":{\"colGutterMu\":\"%\",\"rowGutterMu\":\"%\",\"topFrameMu\":\"px\",\"bottomFrameMu\":\"px\",\"frameMu\":\"px\"},\"bottomFrameMargin\":5,\"rowAttrs\":[{\"relid\":1},{\"relid\":2},{\"relid\":21},{\"relid\":10},{\"relid\":11},{\"relid\":12},{\"relid\":13}],\"bgColor\":null,\"bgImage\":null,\"cont\":[{\"type\":\"text\",\"cont\":\"<h1 class=\\\"_menu_home\\\"><a href=\\\"http:\/\/pavillon-s.com\/emmanuelle-vo-dinh\/\\\" data-type=\\\"page\\\" data-id=\\\"73\\\" data-title=\\\"Emmanuelle Vo-Dinh\\\">Creations, residences...<\/a><\/h1>\",\"align\":\"top\",\"row\":0,\"col\":0,\"colspan\":8,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":9,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p style=\\\"line-height: 0.6;\\\"><span style=\\\"font-size: 30px; font-family: MODELO_V2-Bold;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\"><span style=\\\"caret-color: #1500f6;\\\">HIGANBANA<\/span><\/span><\/span><\/span><\/p><p style=\\\"line-height: 0.6;\\\"><span style=\\\"font-size: 20px;\\\">Creation Automn 2027<br \/><\/span><\/p>\",\"align\":\"top\",\"row\":1,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":556,\"absolute_position\":false},{\"type\":\"video\",\"cont\":\"https:\/\/i.vimeocdn.com\/video\/2103203496-148d79dbb4d783412f18ab8a25f353a8396c1df0f94347e20c7ffeb1bf12b9af-d_295x166?region=us\",\"align\":\"top\",\"row\":2,\"col\":0,\"colspan\":6,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":6,\"iframe\":\"<iframe src=\\\"\/\/player.vimeo.com\/video\/1074441893?api=1&byline=0&amp;portrait=0&amp;title=0&amp;color=ffffff\\\" width=\\\"426\\\" height=\\\"240\\\" frameborder=\\\"0\\\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe>\",\"url\":\"https:\/\/vimeo.com\/1074441893?fl=ip&fe=ec\",\"w\":426,\"h\":240,\"ar\":0.5633802816901409,\"absolute_position\":false,\"customLayControls\":false,\"showShareButton\":false},{\"type\":\"text\",\"cont\":\"<p class=\\\"_texte_page\\\">With <span style=\\\"color: #0000ff;\\\">HIGANBANA<\/span>, I continue a meticulous exploration of the instantaneous composition of spaces to contemplate, using deliberately modest means and emphasizing a collective approach to the creative process. Echoing the state of the world, the driving force behind HIGANBANA \\u2014a Japanese flower symbolizing a moment of transition or passage\\u2014 lies in the intentional creation of poetic, fragile, and sensitive spaces, choreographically inhabited by four women of different ages and backgrounds.<\/p><p class=\\\"_texte_page\\\">The writing process for HIGANBANA draws on the grammar of Japanese filmmaker Yasujiro Ozu: the treatment that he applies to movement, voice, light, and framing provides the playground for a set of cinematic-choreographic rules.<\/p><p class=\\\"_texte_page\\\">Through a precise choreographic ritual, a pictorial or even cinematic space emerges live before the eyes of the audience, using various mobile frames and assembled fabrics.These small, miniature \\u201ctheaters,\\u201d crafted in plain sight, are offered to the viewer, each time generating a new choreographic fiction in which the feminine takes center stage.<\/p><p class=\\\"_texte_page\\\">Composed of ritualized everyday actions, this quartet poetically explores the notion of passage\\u2014as a time of crossing\\u2014 recalling the work of Penelope. While the aim is not to transpose a purely cinematic work onto the stage, the intention is to embrace the sculptural, architectural, and naturalistic qualities at the heart of Ozu\\u2019s oeuvre, in an attempt to develop a stylistic form that, in its own way, responds to the concept of impermanence\\u2014a central notion in Japan that values the present moment and the ephemeral nature of all things.<\/p><p class=\\\"_texte_page\\\">The range of silence and breathing that belongs to Ozu\\u2019s filmography, the distinctive performance style he demanded of his actors, as well as the symbolic approach to every scenographic detail all suggest a fictional space to be invented, where a subtle exploration of emotions and their silences unfolds.<\/p><p class=\\\"_texte_page\\\">Emmanuelle Vo-Dinh<\/p>\",\"align\":\"top\",\"row\":3,\"col\":0,\"colspan\":8,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":937,\"absolute_position\":false},{\"type\":\"img\",\"cont\":\"http:\/\/pavillon-s.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-05-07-a-11.57.36.png\",\"align\":\"top\",\"row\":4,\"col\":0,\"colspan\":6,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":393,\"attid\":1116,\"sizes\":{\"full\":\"http:\/\/pavillon-s.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-05-07-a-11.57.36.png\",\"_1280\":\"http:\/\/pavillon-s.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-05-07-a-11.57.36-1280x949.png\",\"_1024\":\"http:\/\/pavillon-s.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-05-07-a-11.57.36-1024x759.png\",\"_768\":\"http:\/\/pavillon-s.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-05-07-a-11.57.36-768x569.png\",\"_512\":\"http:\/\/pavillon-s.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-05-07-a-11.57.36-512x379.png\",\"_265\":\"http:\/\/pavillon-s.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-05-07-a-11.57.36-265x196.png\"},\"w\":1414,\"h\":1048,\"ar\":0.7411598302687411,\"alt\":\"\",\"absolute_position\":false,\"frameOverflow\":\"\"},{\"type\":\"text\",\"cont\":\"<p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\"><span style=\\\"caret-color: #1500f6;\\\">HIGANBANA<\/span><\/span><\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\">Concept and scenography <\/span>Emmanuelle Vo-Dinh <\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\">Choreography and dance<\/span> Violette Ang\\u00e9, Alexia Bigot, Sabine Macher, Emmanuelle Vo-Dinh\\u00a0<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\"><span style=\\\"color: #1500f6; letter-spacing: 0em;\\\">Light design <\/span><span style=\\\"color: #000000; letter-spacing: 0em;\\\">Fran\\u00e7oise Michel<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\">Music <\/span>Olyphant<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\"><span style=\\\"color: #1500f2;\\\">Production<\/span> PAVILLON-S, Emmanuelle Vo-Dinh<\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\"><span style=\\\"color: #1500f2;\\\">Partners<\/span> Le Th\\u00e9\\u00e2tre, Sc\\u00e8ne nationale de St Nazaire, Ballet du Nord - CCN &amp; Vous!, in Progress...<\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\">Pavillon-s is supported by the Minist\\u00e8re de la culture \\u2013 DRAC de Normandie, the R\\u00e9gion Normandie, the D\\u00e9partement de l\\u2019Eure, the Ville de \\u00a0Rouen et the D\\u00e9partement de Seine-Maritime.<\/p>\",\"align\":\"top\",\"row\":5,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":7,\"absolute_position\":false,\"frameOverflow\":\"\"},{\"type\":\"text\",\"cont\":\"<p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\"><span style=\\\"caret-color: #1500f6;\\\">Rehearsals (schedule in progress)<\/span><\/span><\/span><\/p><p class=\\\"_texte_page\\\"><strong>November 3-7th 2025<\/strong> - Fruit Int\\u00e9gral, And\\u00e9 (France)<br \/><strong>From January 30 to February 20th 2026<\/strong> - Preparatory trip in Japan\\u00a0<br \/><strong>March 9-13th 2026<\/strong> - Fruit Int\\u00e9gral, And\\u00e9 (France)<br \/><strong>April 27-30 2026<\/strong> - Fruit Int\\u00e9gral, And\\u00e9 (France)\\u00a0<br \/><strong>June 8,9,10th 2026<\/strong> - Fruit Int\\u00e9gral, And\\u00e9 (France)\\u00a0<br \/><strong>October 5-9th 2026<\/strong> - Ballet du Nord, CCN de Roubaix<br \/><strong>February 8-12th 2027<\/strong>\\u00a0- La Briqueterie, CDCN du Val-de-Marne<br \/><strong>May 10-14th 2027<\/strong>\\u00a0- Le Phare CCN du Havre\\u00a0<br \/><strong>August 23-27th 2027<\/strong>\\u00a0- Dance Cork Firkin Crane\\u00a0<br \/><strong>Automn 2027<\/strong> - Japan residencies (in progress)\\u00a0<br \/><strong>December 2027<\/strong> - creation<\/p>\",\"align\":\"top\",\"row\":6,\"col\":0,\"colspan\":11,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":5,\"absolute_position\":false,\"frameOverflow\":\"\"}]}","phonegrid":"{\"colCount\":12,\"colGutter\":1,\"rowGutters\":[5,5,5,5,5,5],\"frameMargin\":5,\"leftFrameMargin\":5,\"rightFrameMargin\":5,\"topFrameMargin\":\"15\",\"bottomFrameMargin\":5,\"rowAttrs\":[{\"relid\":14},{\"relid\":15},{\"relid\":16},{\"relid\":17},{\"relid\":18},{\"relid\":19},{\"relid\":20}],\"bgColor\":null,\"bgImage\":null,\"cont\":[{\"type\":\"text\",\"cont\":\"<h1 class=\\\"_menu_home\\\"><a href=\\\"http:\/\/pavillon-s.com\/emmanuelle-vo-dinh\/\\\" data-type=\\\"page\\\" data-id=\\\"73\\\" data-title=\\\"Emmanuelle Vo-Dinh\\\">Creations, residences...<\/a><\/h1>\",\"align\":\"bottom\",\"row\":0,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":9,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p style=\\\"line-height: 0.6;\\\"><span style=\\\"font-size: 30px; font-family: MODELO_V2-Bold;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\"><span style=\\\"caret-color: #1500f6;\\\">HIGANBANA<\/span><\/span><\/span><\/span><\/p><p style=\\\"line-height: 0.6;\\\"><span style=\\\"font-size: 20px;\\\">Creation Automn 2027<\/span><\/p>\",\"align\":\"top\",\"row\":1,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":4,\"absolute_position\":false},{\"type\":\"img\",\"cont\":\"http:\/\/pavillon-s.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-05-28-a-17.12.48.png\",\"align\":\"top\",\"row\":2,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":2030,\"attid\":1246,\"sizes\":{\"full\":\"http:\/\/pavillon-s.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-05-28-a-17.12.48.png\",\"_1280\":\"http:\/\/pavillon-s.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-05-28-a-17.12.48-1280x952.png\",\"_1024\":\"http:\/\/pavillon-s.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-05-28-a-17.12.48-1024x761.png\",\"_768\":\"http:\/\/pavillon-s.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-05-28-a-17.12.48-768x571.png\",\"_512\":\"http:\/\/pavillon-s.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-05-28-a-17.12.48-512x381.png\",\"_265\":\"http:\/\/pavillon-s.com\/wp-content\/uploads\/2025\/05\/Capture-decran-2025-05-28-a-17.12.48-265x197.png\"},\"w\":1450,\"h\":1078,\"ar\":0.743448275862069,\"alt\":\"\",\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p class=\\\"_texte_page\\\">With <span style=\\\"color: #0000ff;\\\">HIGANBANA<\/span>, I continue a meticulous exploration of the instantaneous composition of spaces to contemplate, using deliberately modest means and emphasizing a collective approach to the creative process. Echoing the state of the world, the driving force behind HIGANBANA \\u2014a Japanese flower symbolizing a moment of transition or passage\\u2014 lies in the intentional creation of poetic, fragile, and sensitive spaces, choreographically inhabited by four women of different ages and backgrounds.<\/p><p class=\\\"_texte_page\\\">The writing process for HIGANBANA draws on the grammar of Japanese filmmaker Yasujiro Ozu: the treatment that he applies to movement, voice, light, and framing provides the playground for a set of cinematic-choreographic rules.<\/p><p class=\\\"_texte_page\\\">Through a precise choreographic ritual, a pictorial or even cinematic space emerges live before the eyes of the audience, using various mobile frames and assembled fabrics.These small, miniature \\u201ctheaters,\\u201d crafted in plain sight, are offered to the viewer, each time generating a new choreographic fiction in which the feminine takes center stage.<\/p><p class=\\\"_texte_page\\\">Composed of ritualized everyday actions, this quartet poetically explores the notion of passage\\u2014as a time of crossing\\u2014 recalling the work of Penelope. While the aim is not to transpose a purely cinematic work onto the stage, the intention is to embrace the sculptural, architectural, and naturalistic qualities at the heart of Ozu\\u2019s oeuvre, in an attempt to develop a stylistic form that, in its own way, responds to the concept of impermanence\\u2014a central notion in Japan that values the present moment and the ephemeral nature of all things.<\/p><p class=\\\"_texte_page\\\">The range of silence and breathing that belongs to Ozu\\u2019s filmography, the distinctive performance style he demanded of his actors, as well as the symbolic approach to every scenographic detail all suggest a fictional space to be invented, where a subtle exploration of emotions and their silences unfolds.<\/p><p class=\\\"_texte_page\\\">Emmanuelle Vo-Dinh<\/p>\",\"align\":\"top\",\"row\":3,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":2031,\"absolute_position\":false},{\"type\":\"video\",\"cont\":\"https:\/\/i.vimeocdn.com\/video\/2003793113-ce5572cdbbe500bcac29a89918d3474e9f9fd9ce8486d2bc718433e35837735a-d_295x166?region=us\",\"align\":\"middle\",\"row\":4,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":8,\"iframe\":\"<iframe src=\\\"\/\/player.vimeo.com\/video\/1074441893?api=1&title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff\\\" width=\\\"426\\\" height=\\\"240\\\" frameborder=\\\"0\\\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe>\",\"url\":\"https:\/\/vimeo.com\/1074441893\/077d1fd9f1?fl=ip&fe=ec\",\"w\":426,\"h\":240,\"ar\":0.5633802816901409,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\"><span style=\\\"caret-color: #1500f6;\\\">HIGANBANA<\/span><\/span><\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\">Concept and scenography <\/span>Emmanuelle Vo-Dinh <\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\">Choreography and dance<\/span> Violette Ang\\u00e9, Alexia Bigot, Sabine Macher, Emmanuelle Vo-Dinh\\u00a0<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\"><span style=\\\"color: #1500f6; letter-spacing: 0em;\\\">Light design <\/span><span style=\\\"color: #000000; letter-spacing: 0em;\\\">Fran\\u00e7oise Michel<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\">Music <\/span>Olyphant<\/span><\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\"><span style=\\\"color: #1500f2;\\\">Production<\/span> PAVILLON-S, Emmanuelle Vo-Dinh<\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\"><span style=\\\"color: #1500f2;\\\">Partners<\/span> Le Th\\u00e9\\u00e2tre, Sc\\u00e8ne nationale de St Nazaire, Ballet du Nord - CCN &amp; Vous!, in Progress...<\/p><p class=\\\"_texte_page\\\" style=\\\"line-height: 1;\\\">Pavillon-s is supported by the Minist\\u00e8re de la culture \\u2013 DRAC de Normandie, the R\\u00e9gion Normandie, the D\\u00e9partement de l\\u2019Eure, the Ville de \\u00a0Rouen et the D\\u00e9partement de Seine-Maritime.<\/p>\",\"align\":\"top\",\"row\":5,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":7,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p class=\\\"_texte_page\\\" style=\\\"line-height: 0.7;\\\"><span style=\\\"letter-spacing: 0em;\\\"><span style=\\\"color: #1500f6;\\\"><span style=\\\"caret-color: #1500f6;\\\">Rehearsals (schedule in progress)<\/span><\/span><\/span><\/p><p class=\\\"_texte_page\\\"><strong>November 3-7th 2025<\/strong> - Fruit Int\\u00e9gral, And\\u00e9 (France)<br \/><strong>From January 30 to February 20th 2026<\/strong> - Preparatory trip in Japan\\u00a0<br \/><strong>March 9-13th 2026<\/strong> - Fruit Int\\u00e9gral, And\\u00e9 (France)<br \/><strong>April 27-30 2026<\/strong> - Fruit Int\\u00e9gral, And\\u00e9 (France)\\u00a0<br \/><strong>June 8,9,10th 2026<\/strong> - Fruit Int\\u00e9gral, And\\u00e9 (France)\\u00a0<br \/><strong>October 5-9th 2026<\/strong> - Ballet du Nord, CCN de Roubaix<br \/><strong>February 8-12th 2027<\/strong>\\u00a0- La Briqueterie, CDCN du Val-de-Marne<br \/><strong>May 10-14th 2027<\/strong>\\u00a0- Le Phare CCN du Havre\\u00a0<br \/><strong>August 23-27th 2027<\/strong>\\u00a0- Dance Cork Firkin Crane\\u00a0<br \/><strong>Automn 2027<\/strong> - Japan residencies (in progress)\\u00a0<br \/><strong>December 2027<\/strong> - creation<\/p>\",\"align\":\"top\",\"row\":6,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":2032,\"absolute_position\":false}]}","_links":{"self":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts\/1114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/comments?post=1114"}],"version-history":[{"count":0,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/posts\/1114\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/media\/1116"}],"wp:attachment":[{"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/media?parent=1114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/categories?post=1114"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/pavillon-s.com\/en\/wp-json\/wp\/v2\/tags?post=1114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}